Blood and Sand | Tyrone Power, Linda Darnell | Why does FOX still neglect Rita Hayworth ?

Blood and Sand | Tyrone Power, Linda Darnell | Rise and fall, from the humbleness to the apex!

DVDs:

Blood and Sand

	Blood and Sand Tyrone Power, Linda Darnell 20th Century Fox, 2007 average customer review:based on 22 reviews view larger image
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highly recommended

Bullfighter Juan Gallardo falls for socialite Dona Sol turning from the faithful Carmen who nevertheless stands by her man as he continues to face real danger in the bullring.System Requirements:Run Time: 125 minutesFormat: DVD MOVIE Genre: DRAMA Rating: NR UPC: 024543400943 Manufacturer No: 2240094

Why does FOX still neglect Rita Hayworth ?

The studio made 3 movies with Rita Hayworth. Blood and Sand was even the movie that made her a real Star even though she worked at Columbia afterwards. Why is FOX not proud of having had her ? Why did they put such
a little pic of her on the new Cover as if it was only a Tyrone Power film ?
Why do they totally neglect MY GAL SAL which even does not exist on video ?
Hayworth was the combination of the 2 big female stars that
20th Century Fox had in the forties : She was the perfect match between
the dancing abilities of BETTY GRABLE and the beauty of GENE TIERNEY.
To bad they do not realize this even in 2007 : BLOOD AND SAND is a glorious
example for a great movie with 2 great Stars.

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Rise and fall, from the humbleness to the apex!

"Blood and sand" is one of the most famous novels of Blasco Ibañez, that somehow retakes the myth of Icarus about the story of the son of a famous bullfighter, from his impoverished ages of childhood to his unequalled fame as the best Spanish bull fighter, idolized and loved for many women.

His superb reaches a turning point when he was seduced by an alluring woman - Rita Hayworth-, although she is aware he `s a married man, and how this ethic deviation will lead him to a fatal disgrace, here you have the essential pivot of all tragedy according the Greek pattern, the violation or transgression of the rule will blind the humblest of men.

Tyrone Power as the disgraced bullfighter, Linda Darnell as his suffered wife and Hayworth as the "fatale femme" complete a narration that will be completed with the basic elements of the Spanish culture, the bullring, the devotion for the Macarena Virgin, the flamenco and other minors issues that constituted a well rounded film without that used ornamentation or bombastic feature that nourished other similar films of the Forties.

Maybe the film is a bit overlong and that's why I can't give it five stars.

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Two beautiful people, Tyrone Power and Rita Hayworth, tell us all about ambition, temptation and redemption. It involves bulls

Blood and Sand is an allegory of a man's pride, lust and ambition, who is redeemed by the love of a good woman and a death ennobled by regret. In other words, the movie is a Hollywood weeper. At just over two hours, it's way too long. Still, it shows what can be accomplished when professionals take hold of a teary melodrama and give it color, sleekness, sex and, at 27, an extraordinarily handsome leading man in Tyrone Power. Rita Hayworth, as the femme fatale, is almost as pretty.

Young Juan Gallardo, poor and illiterate, dreams of becoming a famed matador. As a young man (Tyrone Power), he achieves his goal, along with the friendship of men he knew when they were children and the love of his childhood sweetheart, Carmen (Linda Darnell). But fame and money can bring superficial values, and Juan's head is turned with a vengeance. He becomes a great matador, but spends money freely, ignores his old friends in favor of hangers-on and, even worse, he forgets the love of Carmen, now his wife, for the lush and erotic charms of Dona Sol (Rita Hayworth). Although Carmen is lovely, she spends much time looking either compassionate or sad. Dona Sol, or at least Rita Hayworth, is another matter entirely. Hayworth, in a white, form-fitting gown, is something to see as one evening she strolls with perfect posture and a perfect chest toward the poor sap Juan. He doesn't have a chance. In time, his skills become dull and Dona Anna finds him dull and moves on. At last he rediscovers his values and his roots. Wouldn't you know it, just when he restates his love for Carmen, he meets this one particular bull in his last fight. It has two very sharp horns. Music up, lights down, hankies out.

The movie seems to go on and on. We spend almost half an hour on Juan's boyhood before Tyrone Power shows up as a young man. It's nearly an hour before we encounter Rita Hayworth. For Hayworth, the wait is worth it. Her character is selfish, rich, beautiful and all the things a teenaged boy's erotic dreams are made of. This was Hayworth's first color movie and she knocks 'em dead. Says Natalio Curro (Laird Cregar), the effete and envious newspaper bullfight critic, "If this," gesturing at the bullfight arena, "is death in the afternoon, she," gesturing to Dona Sol, "is death in the evening." Towards the end of the movie Hayworth does a dance in a cantina with Anthony Quinn (as an upcoming bullfighter Dona Ana is about to leave Juan for) which is charged with sex.

What redeems the movie, in my opinion, is the professional gloss Darryl F. Zanuck and his team gave the film. At this point Tyrone Power was emerging as a box office power house for 20th Century Fox. Zanuck saw to it that Power was surrounded by the studio's best. The entire look of the film, from the poor village where Juan came from, to Dona Ana's luxurious estate, from street scenes to the arena itself is framed beautifully. Everything has that detailed, lavish, almost awe-inspiring perfection that only highly skilled professionals and a lot of studio money can provide. Color is used to create particular palettes for key scenes, often considerably more subtle than the garishness of many early Technicolor films. The actors all do fine jobs. Power, as usual, is earnest, but with his looks it works. Linda Darnell, obviously being groomed by how carefully she is lit and photographed, hasn't much to do but does it well. It's always good to see Laird Cregar being loathsome, and J. Carrol Naish and John Carradine as two old friends are authentic and don't overact. Anthony Quinn in an important role without much screen time makes an impression. And Rita Hayworth almost stops the movie every time she shows up.

Considering that bull fighting is a bloody business, where some people believe killing is an art and courage is not cheapened by spectacle, the movie goes to great lengths not to show us the reality of the picadors slicing into the bull's neck muscles, the animal's blood seeping down its sides, the occasional disemboweling of a picador's horse by the bull, the gorings of the matadors or the sword thrust into the neck of the bull which all too often doesn't kill cleanly and leaves the bull thrashing and trying to stand. The movie does give us a picture of the drama, the man versus animal contest, the roaring blood lust of the crowd and the inner workings of the arena. The average Roman citizen from 150 A.D. might have found it too tame, but he would have appreciated the intentions.

The DVD transfer is first rate. Extras include a commentary and a restoration comparison.

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Anthony Quinn and Rita Hayworth dance

Boyhood rivals Tyrone Power and Anthony Quinn grow up to be rival matadors.So far, so what. But then they become rivals in love. Now you have a story. Power is the first to get involved with the lucious Rita Hayworth but then Quinn moves in for the prize. It is rare that one scene can make an entire movie worth the purchase price but the scene in which Quinn and Hayworth dance is that scene. Quinn uses the moves of a matador with Hayworth dancing the part of the matador's twirling cape in her rose colored gown. When the cafe patrons shout ole` the viewer is one with them.
Hayworth and Quinn had an affair while participating in the movie. Watching them dance it could not have been otherwise. GET THE MOVIE.

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Blood and Sand - The Movie