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Stiffed: The Betrayal of the American Man | Susan Faludi | This book made me a Susan Faludi fan
 
 


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 Stiffed: The Betra...  

Stiffed: The Betrayal of the American Man
Susan Faludi

Amazon Remainders Account, 2000 - 672 pages

average customer review:based on 115 reviews
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One of the most talked-about books of last year, the Pulitzer Prize-winning author of Backlash now explores the collapse of traditional masculinity that has left men feeling betrayed. With Backlash in 1991, Susan Faludi broke new ground when she put her finger directly on the problem bedeviling women, and the light of recognition dawned on millions of her readers: what's making women miserable isn't something they're doing to themselves in the name of independence. It's something our society is doing to women. The book was nothing less than a landmark. Now in Stiffed, the author turns her attention to the masculinity crisis plaguing our culture at the end of the '90s, an era of massive layoffs, "Angry White Male" politics, and Million Man marches. As much as the culture wants to proclaim that men are made miserable--or brutal or violent or irresponsible--by their inner nature and their hormones, Faludi finds that even in the world they supposedly own and run, men are at the mercy of cultural forces that disfigure their lives and destroy their chance at happiness. As traditional masculinity continues to collapse, the once-valued male attributes of craft, loyalty, and social utility are no longer honored, much less rewarded. Faludi's journey through the modern masculine landscape takes her into the lives of individual men whose accounts reveal the heart of the male dilemma. Stiffed brings us into the world of industrial workers, sports fans, combat veterans, evangelical husbands, militiamen, astronauts, and troubled "bad" boys--whose sense that they've lost their skills, jobs, civic roles, wives, teams, and a secure future is only one symptom of a larger and historic betrayal.




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What DOES it mean to be a man?

I just read "Backlash" this spring and wished I'd picked it up 10 years ago. But in "Stiffed" Susan Faludi paints the story of my generation, and that of my parents, with a much broader brushstroke. Why would an avid feminist care about men's problems? Because the situation of women cannot be fully understood in isolation from male experience? I think yes!
As she painstakingly documents the values which got us enmeshed in Vietnam it becomes obvious they are the same values which have led us into a parallel entanglement in Iraq, and other things equally pernicious.
Would that every American could and would read this book.




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This book made me a Susan Faludi fan

I started reading this book because of the information on War Movies and discovered much more. Susan has a view point that everyman should consider. The media has a large effect on each of us and Susan has got some advice that will make us all better men.


Were the Astronauts Who Went to the Moon "Stiffed?"

Susan Faludi won justified praise for her massively researched, deeply interpretive, and broadly insightful "Backlash: The Undeclared War against American Women" (Crown, 1992). This book is an attempt to continue this story by focusing on men, but while interesting it is a much less satisfying work. Faludi offers an analysis that is both sweeping and penetrating, if not quite as original as her work in "Backlash." Moreover, she probably could have done just as well in arguing her thesis of male anger at marginalization in a post-industrial and post-modern society with a more disciplined and slimmer volume. Overall, however, "Stiffed" is an interesting book that should spark sharp discussion.

At sum, Faludi makes the case, sometimes strained but always relentlessly argued, that fundamental shifts to a stable and traditional society in the 1960s and 1970s transformed the male world in ways that required totally new mindsets. Particularly, she sees the move from a culture that valued loyalty, collegial relations, and skill in a vocation to what she calls an "ornamental culture" focused on image and celebrity. The emphasis of flash over substance has been found in all sectors of modern America's society, Faludi insists, and it continues to dominate our public discourse.

Since there are many fascinating reviews available of "Stiffed," I want to focus attention on the section of the book I found most useful. I have been working on a study of "Project Apollo in American Myth and Memory" and Susan Faludi's chapter, "Man in a Can," has proven quite useful in igniting thoughts on the place of the astronauts in the Moon landings. In this chapter Faludi concentrates on telling the story of the deep depression, alcoholism, "nervous breakdown," and divorce of Buzz Aldrin after his return to Earth following the Apollo 11 mission in 1969. No single person was more important than Aldrin in helping the United States reach the Moon, whose work on orbital rendezvous made possible the Gemini and Apollo missions. But Aldrin had a delicate psyche. He could never accomplish enough to satisfy his father and his failure to become the first person on the surface of the Moon signaled a fundamental failure, something he was spring-loaded to adopt anyway because of years of conditioning by his father. Aldrin tells that story in his confessional and courageous memoir, "Return to Earth" (Random House, 1973).

Susan Faludi mines Aldrin's book, as well as others, for evidence of a devolution of the importance of individual skill and the emergence of an "ornamental culture" at NASA in which the astronauts were little more than props for a larger publicity campaign. She asserts, quite rightly, that "The astronaut served as an emblem in many matters preoccupying cold-war America: beating the Russians, demonstrating national mastery, wedding technology to progress, proving the point of man over machine. But paramount among his symbolic roles, he was to be a masculine avatar for a strange and distinctly new realm on earth." She argues that the astronaut was "a first-draft response to disturbing questions about manhood in an ornamental age" (p. 452). Rather than being valued for their capabilities in pushing back the final frontier, Faludi comments, the astronauts were charged with the opening of a new entertainment frontier. She draws direct linkages between Aldrin and his fellow astronauts with earlier western entertainments such as Wild Bill Hickok's Wild West Show. "But the astronauts heralded a time," she emphasizes, "when the sideshow would as never before supplant the main event" (p. 452).

All of this was totally understandable to Faludi. She adds: "NASA needed the pleasing faces, the frenzy of celebrity, to seduce the government, the media, and the public into accepting the huge expense of the aerospace program" (p. 461). Aldrin reacted to this "ornamental culture" drastically, but Faludi believes that many other astronauts recoiled from this approach. They just responded in different ways.

Were the astronauts simply "ornamental?" Clearly, they were celebrities, but their celebrity status seems to have been predicated on their exciting and important work. An interesting question: Were the astronauts "famous for simply being famous?" Were they famous for "real" feats, or "perceived" feats? Did the public really understand (or care) about the feats that were achieved? Or were they famous because somebody told the public they were famous? I believe astronauts can be likened to sports and entertainment idols. Like them, to remain a hero they had to attain great feats. This begs the question, how effective was NASA in scripting the perception of the public?

I question if Faludi is correct in her analysis, at least in the context of the Apollo astronauts, but her discussion provides an interesting perspective on masculinity in recent America and highlights some, but not all, of the issues at play among men in this post-modern society.


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Want to offer understanding to the men in your life?

Her argument made sense and represented the way corporations are undermining individuals. Women are not the only ones suffering from image-culture and low-paying jobs. This book ties together the experiences of the boy next door, celebrities, your father, your grandfather, and their brothers.


reviews: page 1, 2, 3, 4, 5, 6, 7, 8, 9, 10



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