classical music: Kathleen Ferrier [Box Set] | William Parsons, Christoph Willibald Gluck, ...
classical music:
The Most Famous Op...
Suzanna MW Stephens
Return to Paradise
The Mormon Taberna...
Kathleen Ferrier [...
Kathleen Ferrier [Box Set]
William Parsons
,
Christoph Willibald Gluck
, ...
Decca Import, 2008
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Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30: Act 1. Ah! se intorno a quest'urna funesta | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30: Act 1. Euridice! Euridice! Ah! questo nome sanno le spiaggie | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30: Act 1. Piango il mio ben così | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30: Act 1. Dalla cetra tua a' dolci suoni | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30: Act 1. Gli sguardi trattieni | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30: Act 1. Che disse! ch'ascoltai! | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30: Act 2. Scene 1. Chi mai dell'Erebo | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30: Act 2. Scene 1. Deh! placatevi con me | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30: Act 2. Scene 1. Misero giovane! | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30: Act 2. Scene 2. Che puro ciel! | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30: Act 2. Scene 2. Vieni a' regni del riposo | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30: Act 3. Scene 1. Ah! vieni o diletta | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30: Act 3. Scene 1. Vieni, vieni con me, vieni, o cara | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30: Act 3. Scene 1. Ah! potess'io saper perché ei tace tanto! | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30: Act 3. Scene 1. Che fiero momento! | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30: Act 3. Scene 1. Ah! per me il duol ricomincia! | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30: Act 3. Scene 1. Che farò senza Euridice? | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30: Act 3. Scene 1. Ah! finisca e per sempre | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30: Act 3. Scene 1. Gaudio, gaudio son al core | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30: Act 3. Scene 2. Trionfi Amore, e il mondo intero | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): No. 1: Come, ye daughters | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): No. 9: My Master and my Lord | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): No. 33: Behold, my Saviour n | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): No. 36: Ah! Now is my Saviou | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): No. 47: Have mercy, Lord, on | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): No. 60: O gracious God! / No | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): No. 63: O sacred head surrou | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): No. 69: Ah, Golgotha! / No. | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): No. 72: Be near me, Lord, wh | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): No. 77: And now the Lord to | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30: What is life to me without thee? | Rodelinda, regina de' Langobardi, opera, HWV 19: Art thou troubled? | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Have mercy, Lord, on me | Himmelfahrts-Oratorium, 'Lobet Gott in seinen Reichen,' (Ascension Oratorio), BWV 11 (BC D9): Ah, tarry yet, my dearest Saviour | Serse (Xerxes), opera, HWV 40: Frondi tenere ... Ombra mai fu | Elijah (Elias), oratorio, Op. 70: Woe unto them | Elijah (Elias), oratorio, Op. 70: O rest in the Lord | Stabat mater, for soprano, alto, strings & organ in F major: Stabat Mater dolorosa | Stabat mater, for soprano, alto, strings & organ in F major: Cujus animam gementem | Stabat mater, for soprano, alto, strings & organ in F major: O quam tristis et afflicta | Stabat mater, for soprano, alto, strings & organ in F major: Quae moerabat et dolebat | Stabat mater, for soprano, alto, strings & organ in F major: Quis est homo, qui non fleret | Stabat mater, for soprano, alto, strings & organ in F major: Vidit suum dulcem Natum | Stabat mater, for soprano, alto, strings & organ in F major: Eja Mater, fons amoris | Stabat mater, for soprano, alto, strings & organ in F major: Fac ut ardeat cor meum | Stabat mater, for soprano, alto, strings & organ in F major: Sancta Mater istud agas | Stabat mater, for soprano, alto, strings & organ in F major: Fac ut portem Christi mortem | Stabat mater, for soprano, alto, strings & organ in F major: Inflammatus et accensus | Stabat mater, for soprano, alto, strings & organ in F major: Quando corpus morietur | Frauenliebe und -leben, song cycle for voice & piano, Op. 42: 1. Seit ich ihn gesehen | Frauenliebe und -leben, song cycle for voice & piano, Op. 42: 2. Er, der Herrlichste von allen | Frauenliebe und -leben, song cycle for voice & piano, Op. 42: 3. Ich kann's nicht fassen, nicht glauben | Frauenliebe und -leben, song cycle for voice & piano, Op. 42: 4. Du Ring an meinem Finger | Frauenliebe und -leben, song cycle for voice & piano, Op. 42: 5. Helft mir, ihr Schwestern | Frauenliebe und -leben, song cycle for voice & piano, Op. 42: 6. Süßer Freund, du blickest | Frauenliebe und -leben, song cycle for voice & piano, Op. 42: 7. An meinem Herzen, an meiner Brust | Frauenliebe und -leben, song cycle for voice & piano, Op. 42: 8. Nun hast du mir den ersten Schmerz getan | Volksliedchen ('Wenn ich früh in den Garten geh'), song for voice & piano, Op. 51/2 | Widmung ('Du meine Seele, du mein Herz'), song for voice & piano (Myrthen), Op. 25/1 | Sapphische Ode ('Rosen brach ich Nachts mir am dunklen Hage'), song for voice & piano, Op. 94/4 | Botschaft ('Wehe, Lüftchen, lind und lieblich'), song for voice & piano, Op. 47/1 | Gretchen am Spinnrade ('Meine Ruh'...'), song for voice & piano, D. 118 (Op. 2) | Die junge Nonne ('Wie braust durch die Wipfel'), song for voice & piano, D. 828 (Op. 43/1) | An die Musik ('Du holde Kunst...'), song for voice & piano, D. 547 (Op. 88/4) | Der Musensohn ('Durch Feld und Wald zu schweifen'), song for voice & piano, D. 764 (Op. 92/1) | Ganymed ('Wie im Morgenglanze'), song for voice & piano, D. 544 (Op. 19/3) | Du liebst mich nicht ('Mein Herz ist zerrissen'), song for voice & piano, D. 756 (Op. 59/1) | Lachen und Weinen, song for voice & piano, D. 777 (Op. 59/4) | Stille Nacht, heilige Nacht (Silent Night) | O Come, All Ye Faithful (Adeste fidelis) | Vier ernste Gesänge (4), for voice & piano (Four Serious Songs), Op. 121: 1. One thing befalleth the beasts and the sons of men | Vier ernste Gesänge (4), for voice & piano (Four Serious Songs), Op. 121: 2. So I returned and did consider | Vier ernste Gesänge (4), for voice & piano (Four Serious Songs), Op. 121: 3. O death, how bitter art thou | Vier ernste Gesänge (4), for voice & piano (Four Serious Songs), Op. 121: 4. Though I speak with tongues of men | Poème de l'amour et de la mer, for voice & orchestra, Op. 19: 1. La Fleur des eaux | Poème de l'amour et de la mer, for voice & orchestra, Op. 19: 2. Interlude | Poème de l'amour et de la mer, for voice & orchestra, Op. 19: 3. La Mort de l'amour | Discovery for voice & piano, Op 13: The Freedom of the City / Babylon / Jane Allen / Discovery / Dreams Melting | Songs (3) for voice & piano, Op. 5: Red Skies | Songs (3) for voice & piano, Op. 5: The Wind | Songs (3) for voice & piano, Op. 5: Clouds | Psalms (3) for voice & piano, Op 61: Psalm 6: O Lord, rebuke me not | Psalms (3) for voice & piano, Op 61: Psalm 23: The Lord is my shepherd | Psalms (3) for voice & piano, Op 61: Psalm 150: Praise ye the Lord | An Irish Idyll in Six Miniatures for voice & piano, No 2, Op. 77/2 ('The Fairy Lough') | A Sheaf of Songs from Leinster, for voice & piano, No. 3, 'A Soft Day' Op. 140/3 | Love is a bable, song | Silent Noon ('Your hands lie open in the long fresh grass'), song for voice & piano (The House of Life No. 2) | Go Not, Happy Day, for voice & piano, H 34 | Sleep, for voice & piano | Pretty Ring Time, for voice & piano | O Waly, Waly, folk song | Come You Not From Newcastle? | Kitty My Love, Will You Marry Me?, folk song | From silent shades and the Elysian groves (Bess of Bedlam), song, Z. 370 | Hark! now the echoing air (from 'The Fairy Queen'), soprano aria and chorus, Z. 629/48 | Atalanta, opera, HWV 35: Like as the love-lorn turtle | Admeto, Rè di Tessaglia, opera, HWV 22: How changed the vision | Verborgenheit ('Lass, o Welt, o lass mich sein'), song for voice & piano (Mörike Lieder) | Der Gärtner ('Auf ihrem Leibrösslein'), song for voice & piano (Mörike Lieder) | Auf ein altes Bild ('In grüner Landschaft Sommerflor'), song for voice & piano (Mörike Lieder) | Auf einer Wanderung ('In ein freudliches Städtchen'), song for voice & piano (Mörike Lieder) | Altar for voice & piano | Vergiss mein nicht, sacred song for voice & continuo (Schemelli Gesangbuch No. 627), BWV 505 (BC F262) | Ach, dass nicht die letzte Stunde, sacred song for voice & continuo (Schemelli Gesangbuch No. 831), BWV 439 (BC F274) | Bist du bei mir, aria arranged for voice & continuo (after Gottfried Stölzel), BWV 508 | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1): Qui sedes | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Grief for sin | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1): Agnus Dei | St. John Passion (Johannespassion), BWV 245 (BC D2): All is fulfilled | Samson, oratorio, HWV 57: Return, O God of Hosts! | Messiah, oratorio, HWV 56: O thou that tellest good tidings to Zion | Judas Maccabaeus, oratorio, HWV 63: Father of Heaven | Messiah, oratorio, HWV 56: He was despised | Ma Bonny Lad, folk song | The Keel Row | Blow the Wind Southerly (Northumbrian Folk Song) | I Have A Bonnet Trimmed With Blue | My Boy Willie for voice & piano | I Know Where I'm Goin', folk song | The Fidgety Bairn, folk song | I Will Walk With My Love for voice & piano | Ca' the yowes | O Waly, Waly, folk song | Willow, Willow for voice & piano | The Stuttering Lovers, folksong | Now Sleeps the Crimson Petal for voice & piano, Op. 3/2 | Fair house of joy, for voice & piano, Op. 12/7 | To Daises, for voice & piano, Op. 8/4 | Over the Mountains | Have You Seen But A Whyte Lilie Grow?, folk song | Ye Banks and Braes O' Bonnie Doon, folk song | Drink to me only with thine eyes, folk song | Down by the Salley Gardens, folk song | The Lover's Curse, for voice & piano | What the Edinburgh Festival Has Meant to Me, spoken commentary by Kathleen Ferrier | Die junge Nonne ('Wie braust durch die Wipfel'), song for voice & piano, D. 828 (Op. 43/1) | Rosamunde, Fürstin von Cypern, incidental music, D. 797 (Op. 26): No. 3b. Romance | Du liebst mich nicht ('Mein Herz ist zerrissen'), song for voice & piano, D. 756 (Op. 59/1) | Der Tod und das Mädchen ('Vorüber, ach vorüber'), song for voice & piano, D. 531 (Op. 7/3) | Suleika I ('Was bedeutet die Bewegung'), song for voice & piano, D. 720 (Op. 14/1) | Du bist die Ruh, song for voice & piano, D. 776 (Op. 59/3) | Immer leiser wird mein Schlummer, song for voice & piano, Op. 105/2 | Der Tod, das ist die kühle Nacht, song for voice & piano, Op. 96/1 | Botschaft ('Wehe, Lüftchen, lind und lieblich'), song for voice & piano, Op. 47/1 | Von ewiger Liebe ('Dunkel, wie dunkel in Wald und in Feld!'), song for voice & piano, Op. 43/1 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42: 1. Seit ich ihn gesehen | Frauenliebe und -leben, song cycle for voice & piano, Op. 42: 2. Er, der Herrlichste von allen | Frauenliebe und -leben, song cycle for voice & piano, Op. 42: 3. Ich kann's nicht fassen, nicht glauben | Frauenliebe und -leben, song cycle for voice & piano, Op. 42: 4. Du Ring an meinem Finger | Frauenliebe und -leben, song cycle for voice & piano, Op. 42: 5. Helft mir, ihr Schwestern | Frauenliebe und -leben, song cycle for voice & piano, Op. 42: 6. Súßer Freund, du blickest mich verwundert an | Frauenliebe und -leben, song cycle for voice & piano, Op. 42: 7. An meinem Herzen, an meiner Brust | Frauenliebe und -leben, song cycle for voice & piano, Op. 42: 8. Nun hast du mir den ersten Schmerz getan | Ich bin der Welt abhanden gekommen, song for voice & piano (or orchestra) (Rückert Lieder No. 3) | Ich atmet' einen linden Duft, song for voice & piano (or orchestra) in D major (Rückert Lieder No. 2) | Um Mitternacht, song for voice & piano (or orchestra) in B minor (Rückert Lieder No. 4) | Alto Rhapsody, for alto, male chorus & orchestra, Op. 53 | Songs (2) for alto, viola & piano, Op. 91: 1. Gestillte Sehnsucht | Songs (2) for alto, viola & piano, Op. 91: 2. Geistliches Wiegenlied | Vier ernste Gesänge (4), for voice & piano (Four Serious Songs), Op. 121: 1. Denn es gehet dem Menschen wie dem Vieh | Vier ernste Gesänge (4), for voice & piano (Four Serious Songs), Op. 121: 2. Ich wandte mich und sahe an alle | Vier ernste Gesänge (4), for voice & piano (Four Serious Songs), Op. 121: 3. O Tod, wie bitter bist du | Vier ernste Gesänge (4), for voice & piano (Four Serious Songs), Op. 121: 4. Wenn ich mit Menschen- und mit Engelszungen redete
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