Belcanto - Tenors of the 78 Era, Part One / Enrico Caruso, Beniamino Gigli, Tito Schipa, Leo...

Belcanto - Tenors of the 78 Era, Part One / Enrico Caruso, Beniamino Gigli, Tito Schipa, Leo Slezak, Joseph ... | Enrico Caruso, Beniamino Gigli | Tenor bel canto: a lost art

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Belcanto - Tenors ...

	Belcanto - Tenors of the 78 Era, Part One / Enrico Caruso, Beniamino Gigli, Tito Schipa, Leo Slezak, Joseph ... Enrico Caruso, Beniamino Gigli Euroarts, 2005 average customer review:based on 4 reviews view larger image
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Recommended

Yes, there is one contributor whose way of speaking English is quite unbearable. Had he met with some accident with his voice or his lung, or was he a counter tenor before or what? Other than this contributor, it is also difficult for those who speak little other European languages, especially German and Italian, we have to rely so much on subtitles when we should concentrate on the picture...

Having said that, most footages are thoroughly enjoyable for some people like me who don't have sufficient background for singing. Without this DVD, great singers as Slezak and Schimdt, and their unique way of expression, would have escaped my attention. For the general audience without much operatic background like me, the contributors are professional enough. Very often they are able to draw our attention to the essential characteristics of these singers and the nuances of their singing. I'm very thankful for their contributions.

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Tenor bel canto: a lost art

I never enjoyed tenor bel canto singing until I watched (listened) to this video. It was the sound quality that mattered to these performers. Incredible care was taken perfecting their art.

Rare Footage and Recollections of Great 78 Era Tenors

This DVD was released as a VHS tape around ten years or so ago, but I did not see it them. It features separate thirty minute segments, made for European television, on six great tenors of the 78rpm era: Caruso, Gigli, Schipa, Tauber, Leo Slezak and Joseph Schmidt. It has some rare and often delightful footage of each of them and features recordings of some of them which are not otherwise easily available. The film footage often is of the singer noticeably singing something other than the recording being played, but it is actually fairly startling how often the synchronization of the film almost matches the recording. And some of the clips actually do include singing because they are taken from German-language theatrical films from the 1930s.

There is an attempt, via voice over narration and interviews with people who knew the singers (as well as with experts like the insufferably precious, but admittedly knowledgeable, Stefan Zucker). Particularly outstanding in this regard is the German writer on singers, Jürgen Kesting, who also wrote the booklet notes. All the people who knew the singers are, of course, quite old themselves at the time of filming. They share recollections of the singers performances as well as personal tidbits about them. The interviews take place all over the world--including a some done with people associated the Teátro Colón in Buenos Aires and with the Met.

I suspect this DVD is primarily for genuine fanatics for the history of singers and of opera. It is not a performance DVD by any means, so don't go looking for long musical excerpts. Still, it was done with loving care and does not, as so many operatic recollections do, err either in being sycophantic or unduly caustic. That said, I will add that I enjoyed it thoroughly.

TT=170 minutes; Dolby Digital 2.0 sound; subtitles in English, German, French, Italian and Spanish. Booklet notes in English, German and French.

Scott Morrison

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So much to enjoy; so little time allowed

The really infuriating thing about documentaries of this kind is that it is painfully and frequently obvious that so much material has been left out to allow prattle from commentators on the singers and the singing to intrude. Whoever edits these things seems to be a sadist who enjoys blotting out the subject singer and his art with some fairly inane twaddle. It is like having a beautiful and interesting painting on the wall ready to be admired, only to have some boring child stand in front of it and drivel on without letting the painting show its own value.
Nevertheless, there are so many fascinating glimpses of vocal gold to be caught that it's even worth playing the game "Dodge the little people" to see and hear greatness.

Somehow, there are splendid things that may be heard and seen from Caruso and his colleagues on this mixed blessing.

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