Kansas City | Jennifer Jason Leigh, Miranda Richardson

Kansas City | Jennifer Jason Leigh, Miranda Richardson | The Battle Of Kansas City Jazz Or The Deception Of Beauty

DVDs:

Kansas City

	Kansas City Jennifer Jason Leigh, Miranda Richardson New Line Home Video, 2005 average customer review:based on 15 reviews view larger image
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In Kansas City during the Depression a young man robs a gambler and is held hostage by a mysterious night club owner. In response the man's wife kidnaps a socialite whom she tries to trade for her husband.Running Time: 115 min.Format: DVD MOVIE Genre: DRAMA UPC: 794043769924

Might Have The Best Ending Ever

Bottom line, whether you love or hate "Kansas City" will depend on your reaction to Jennifer Jason Leigh's performance. Leigh's character Blondie anchors the story as a desperate wife trying to save her husband from the gangsters he tried to rob. Leigh looks great in this role, she is fit and trim which makes her face that much cuter. The contrast between her almost angelic appearance and her tough persona is intentional because the toughness is an affectation, qualities she has adopted because she loves her husband and they are a turn-on for him.

Her's is the key performance of the film, the twist is her emulation of Kansas City native Jean Harlow ("The Public Enemy" and "Girl from Missoui"). Watch Harlow in "Red Headed Woman" to see the incredible physical resemblance between these two short actresses. Personally I found it touching, humorous, and inspirational. But it is almost a caricature and many are put off by this tiny woman talking so tough.

As in "Nashville", there are great songs (but jazz rather than country) throughout the film. It is important to realize that "Blondie's" behavior is intended to mirror the "cutting contests" between the jazz musicians on-stage at the club. Just as the musicians borrow from one another and weave each others stuff into what they are improvising, "Blondie" borrows from the movies and weaves Harlow's tough girl phrases and expressions into her conversation.

Leigh and Miranda Richardson spend most of the film in each other's company. Although Richardson's character is doped up on laudanum (tincture of opium) most of the time, you get the idea that she is taking in a lot more of the situation than she is letting on. It is a fascinating pairing. One of them has lost all restraint, the other has lost everything but her restraint. There is almost a "Thelma and Louise" quality to their relationship, in part because Leigh doing Harlow ends up sounding a lot like Geena Davis doing Geena Davis.

Richardson's character is unexpectedly touching. An emotional bond is subtly forged between the two women as the film proceeds, with Richarson actually becoming protective of her kidnapper. The ending is shocking but you understand the motivation (or you will if you watch it again), then looking back you pick up on the various foreshadowing devices that Altman placed throughout the film. He goes out with a bass duet of Duke Ellington's "Solitude" performed by Ron Carter and Christian McBride.

Like many films with downbeat endings, "Kansas City" is destined to be more appreciated 25 years after its release.

Then again, what do I know? I'm only a child.

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The Battle Of Kansas City Jazz Or The Deception Of Beauty

When one listens to the gorgeous music of Lester Young, Charlie Parker(I think he was "shown" in a scene as well) and Coleman Hawkins and William Count Basie,a jazz fan is left with a sense of wonder what must have gone down at KC in those days...Now we have a great depiction of the music and what life might have been like with great music revisited and performed by these "new giants of jazz" recreating the high swinging good time sense of euphoria sweeping those magical tunes..
Yet, at the same time, music lovers see the battle going on between the somewhat bluesier, aggressive playing of the giant Coleman Hawkins contrasted clearly with his major rival Lester Young, the more sweeter melancholy player..These 2 contrasting visions play-out throughout the entire movie not only as a backdrop as a soundtrack but a portrayal of the contradictory lives played by it's characters.
There is no difference between the Downtown KC of crime, brothels and booze(opium and cocaine as well) with it's underworld in contrast to the Americana of the Uptown KC with it's quaint Democratic lifestyle untouched by the jazz going down at the Hey-Hey Club...ultimately leading to murder from all sides.
This is a powerful message and why the movie scores big besides the wonderful music and the 2 Cd's spurned out which are equally impressive.
The moral equivalency of these 2 worlds makes this movie a great one.

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Saxophone Players

The music in this movie is great! Joshua Redman tears it up with his great old/new style of playing the saxophone!!

Doug Earley

reviews: page 1, 2, 3

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