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Cyrano de Bergerac | Gérard Depardieu, Anne Brochet | "We All Have Our Wounds"
 
 


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 Cyrano de Bergerac  

Cyrano de Bergerac
Gérard Depardieu, Anne Brochet

MGM (Video & DVD), 2004

average customer review:based on 83 reviews
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     highly recommended  highly recommended



One of France's literary treasures commands the screen with this "exceptionally graceful adaptation" (Los Angeles Times) that received a Best Foreign Film Golden Globe® and five Oscar® nominations* including Best Actor for Gerard Depardieu!Cyrano (Depardieu) a master swordsman and poet feels he cannot woo his beloved Roxane (Anne Brochet) due to an unfortunate physical flaw: his grotesquely large nose. Resigning himself to helping another suitor the dashing yet tongue-tied Christian (Vincent Perez) Cyrano uses his mastery of words to win Roxane for him. But when Roxane finds that she has fallen for Christian's mind and not for his beauty which of her two suitors will finally possess her heart?Format: DVD MOVIE Genre: FOREIGN/LATIN Rating: NR UPC: 027616902276 Manufacturer No: 1005998


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One of the high water marks of French cinema

Jean-Paul Rappeneau's wonderfully cinematic version of Cyrano De Bergerac is one of the genuine high water marks of modern French cinema. Rappeneau is a director who really understands movement, and his far from static approach revitalizes the piece and frees it from the tyranny of the wonderful words to give it wings, while Gerard Depardieu's magnificent Cyrano keeps the film's emotions beautifully grounded. For once the supporting characters aren't played as idiots: Christian is no fool, merely an inarticulate man increasingly aware that his is a false victory, and the Comte De Guiche is allowed more dignity than you'd expect from a part that's usually reduced to mere comedy villainy.

Almost everything about the film is perfect, from Rappeneau and Jean-Claude Carriere's superb screenplay to Jean-Claude Petit's restrained score, which subtly underlines the emotions rather than play up the pathos (a shame his action cues use a thinly-disguised version of Danny Elfman's Batman theme: someone obviously fell in love with the temp track). Wonderful stuff, even if Cyrano takes longer to shuffle off this mortal coil than Brando did in Mutiny on the Bounty.

Sadly, there's still not a particularly satisfying English-friendly DVD release for the film - MGM/UA's Region 1 disc is disapppointing while even Arrow's UK PAL release only has brief interviews with Rappeneau and Depardieu as extras. One for Criterion to get round to, surely?


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"We All Have Our Wounds"

Note: Will require a multi-region DVD player to view in the America's.

This French language film adaptation of the classic 'Cyrano de Bergerac' released in '90 is without question the most enjoyable 138 minutes in front of the television screen I've experienced in quite some time. Everything about this production is absolute perfection; cinematography, settings, music, screenplay and of course acting.

Gerard Depardieu is an unstoppable force of nature as the eloquent but hot-headed Cyrano. He thunders and rages about one moment only to suddenly turn ethereal and wax poetic the next. The lovely Anne Brochet is a wonderful compliment to the blustering Cyrano as his unattainable Roxane and Vincent Perez delivers a strong performance as the handsome but slow tongued Christian.

The dialogue is crisp, textured and witty, however if you're French impaired as I am you'll probably have trouble keeping up. But that's OK, you'll just catch the missing parts the next time you watch and you will definitely watch again and again.


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Sentimental, but also captivating

Depardieu is a brute in life, but a sublime actor. His interpretation of Cyrano is faultless. A wonderful film.


One of the great romance stories...

I was excited to see this as the original classic with Jose Ferrer remains one of my all-time favorite films. This one is brilliantly made, and Depardieu does not disappoint.

This film was produced well, and the sets are beautiful. The acting is also very good, and the actors are well chosen for their parts. The female lead is perfect as she is a stunning beauty with the kind of beauty that grows on you the more you see. I imagine that she is the type that would completely bewitch someone as Cyrano was.

The story itself is well known. An brilliant "deformed" man in love and a beautiful "idiotic" man in love combine their talents to woo a beautiful woman. Unfortunately, the end result is tragic for every party, but this is an undeniably romantic story that can start your heart racing at times. It feels almost like one of Shakespeare's great tragedies, and I don't know that it is an exxageration to suggest it is almost as brilliant.

The reason that I give this magnificent story only four stars is because some of the impact of this story was lost on me due to the subtitles. I really don't have a problem with movies that have subtitles, but with this particular story it hurt the impact for English-speaking people. Cyrano was a great poet, and one aspect of the story that touches the viewer is the poetry. Unfortunately, when you are hearing French words at a mile a minute and seeing english rhymes on the screen, it just isn't very poetic. I'm sure for the French this is an absolute masterpiece, and I truly wish I could feel the same about it myself.

Overall, I am thrilled to see this, and I would watch it again. Just be warned--if you, like me, find the poetry to be one of the great aspects, you may be slightly disappointed. The poetry is still there and is still beautiful, but you have to work to get at it.


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Superb Depardieu

Edmond Rostand's 19th play is brilliantly adapted here by director Jean-Paul Rappeneau, and perhaps when I watch the film again I may give it 5 stars like the other reviewers.

Depardieu dominates the film with a stunning performance. This is most evident in the first half of the film where he does everything with a style and feeling that is missing from so many films these days. The acting overall is of a very high standard and the script, even allowing for translation and subtitle misinterpretations is beautifully done.

The reason I have not awarded it five stars is for one main reason. After the brilliant first half of the film, the second half just seemed a little less focused to me and overall I felt the film was a little too long. The ending in particular dragged a bit. Its probably exactly as per the original play, but for me this didn't work on film and it felt a bit hammy.

However this is a minor criticism and overall I strongly recommend the film.


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reviews: page 1, 2, 3, 4, 5, 6, 7, 8, 9, 10



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