When theatrical genius Antoine started his film career as "a sixty-year-old beginner," he dared to break all the rules of cinema. Shooting on location, he created a neorealist approach to his literary subjects. Antoine?s masterful visual compositions are expressive of the relationship between the farmer and the land and the battle of good against evil. The gripping power of La Terre?s cinematography comes to full force in the crystal-clear images of this stunning restoration by Photoplay Productions, under the auspices of Kevin Brownlow, Patrick Stanbury and the late David Gill. DVD Bonus Features: Stills Gallery, Germaine Rouer interview with film historian Kevin Brownlow (downloadable).
One of the strengths of the film is the location photography. The scenes of French peasant life of long ago are fascinating. The director, André Antoine, does well in showing realistically the hard life of the farmer when harvesting involved using sickles and scythes. Some of the acting however is less realistic. The old man's villainous children are caricatures beginning bad and becoming worse. The actors playing them are not very subtle in portraying their avarice and cruelty. As a counterpoint to the tale of the old man's descent into poverty, the film has a romance between two young lovers. But this story does not really relieve the gloom of the whole piece. They show themselves to be as selfish as everyone else when they reject the old man's plea for help. The film is supposed to be an indictment of French peasant life, but there is scarcely a pleasant character in the story, hardly any humanity. In the end this makes the story seem rather unrealistic.
The print on the Milestone DVD is clear and bright. It is mainly in black and white, but has some scenes tinted blue and yellow. It is a pity that La Terre does not survive complete, but what remains is in good shape with only a few nicks and scratches. The photography is often quite beautiful and the print shows this to good effect. The score by Adrian Johnston is well played by a small orchestra. It is appropriate and fits the mood of the film. The film itself is worth seeing, even if it does not approach greatness. Silent film fans, well travelled in the genre, will appreciate La Terre. Those who are, as yet, less experienced, might be better beginning their journey elsewhere.