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No Good Deed (Dol Slip) | Samuel L. Jackson, Milla Jovovich | Intelligent Noir!
 
 


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 No Good Deed (Dol ...  

No Good Deed (Dol Slip)
Samuel L. Jackson, Milla Jovovich

Sony Pictures, 2004

average customer review:based on 14 reviews
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Echoes of The Maltese Falcon reverberate through No Good Deed, a loose, updated adaptation of Dashiell Hammett's kidnapped-cop tale The House on Turk Street. Unfortunately, the film proves an interesting disaster at best, certain to leave fans of noir director Bob Rafelson (Blood and Wine) wondering what happened. Samuel L. Jackson plays lonely police detective and amateur cellist Jack Friar, whose search for a missing girl results in being taken captive by a motley gang of dreamers, lost souls, and psychopaths on the eve of a bank heist. Left alone with an armed but sympathetic, Russian-classical-pianist-turned-femme-fatale (Milla Jovovich), Jack finds someone to save. But the film's credulity is lost when Rafelson fails to convince us that Jack's honor-bound refusal to escape, despite a prime opportunity while nuzzling the defenseless Milla, is a good and honorable thing. One can feel authentic Hammett themes stirring here, but it's not enough. --Tom Keogh


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THRILLING PSYCHOLOGICAL CAPER THAT SPREADS ITSELF THIN

The script pecks in every conceivable direction, and a few inconceivable ones, but surely not as terribly as the reviews would suggest. It held my attention throughout its winded course.

The suspense scenes are fabulously constructed, revolving around universally appealing themes -- bank heist, kidnapping, layered romance, betrayal, and above all, some fabulous twists.

Part of the slick fun is trying to figure out what the characters have up their individual sleeves, what surprising turn each may have to dish out. Result, an alluring semi-noir in which the audience is not privy in advance to how they'll all get away with it, or even who the good or the bad guys are.

Towards the end, we fall into the net of one gratuitous turn too many, which the eventually simplistic plot clearly did not have an appetite to digest, but hey, overall it is pretty cleverly done. Renting, at least, may be a good deed indeed.


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Intelligent Noir!


To just only think about Bob Rafelson directing this film is by itself a solid warranty. That' s what it made to pay attention to this solid policeman that deals with a diabetic and cellist police officer who spends his holydays trying to perform Johannes Brahms ` Trio Op. 8, when suddenly his neighbor wants for him to help her to search his missed daughter. He will refuse, but soon h3 will change of mind and so he will live one of these awful experiences that the fate keeps for all who preserve the white room of the law.

Soon he will get involved about a very careful plan to robe 10 millions $, and the quartet formed nobody trusts in each other. A wounded and mentally disturbed woman, a repressive husband, and two other who pretend her each one to his own, will absorb you in this intriguing movie, plenty of those psychological devices that one really appreciates. Suggestive work illumination conforms a very advisable film to watch over and over.

Recommended without reserves, but never a classic.



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I liked No Good Deed

Samuel Jackson does an excellent job as a very "human" cop in this movie. You are never sure what he will do given the situation he's in. Milla is good also as a Russian mob bosses girl. Thier relationship keeps you on the edge of your seat. I liked this movie very much.


reviews: page 1, 2, 3



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