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Hitler: The Rise of Evil | Robert Carlyle, Stockard Channing | lS ANYB0DY LlSTENING?!?!
 
 


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 Hitler: The Rise o...  

Hitler: The Rise of Evil
Robert Carlyle, Stockard Channing

average customer review:based on 15 reviews
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Had the many folks who were outraged by the very existence of Hitler: The Rise of Evil seen it before it was aired by CBS-TV in 2003, they would have realized that their fears that this three-hour miniseries would somehow paint a sympathetic portrait of the man generally regarded as the 20th Century's most irredeemable monster were unfounded. There's very little shading here. By and large, this Adolf Hitler is a wicked, vengeful, paranoid, anti-Semitic lunatic pretty much from the get-go; indeed, the opening credits aren't even over before he is revealed as an angry boy who was beaten and belittled by his father and smothered by his mother, an aspiring artist embittered by repeated rejections of his work, and an impressionable young man who was convinced that Jews were the root of all that's wrong with the world. And that's all before the role is assumed by Robert Carlyle, who dominates the proceedings thereafter with a commanding, convincing performance. Hitler: The Rise of Evil chronicles the major events leading up to his assumption of power in the mid-1930s, including his time in the trenches in World War I and fury at Germany's signing of the Treaty of Versailles; his gradual emergence as a charismatic and powerful orator and eventual dominance of the National Socialist party; his first attempted takeover of the government, which resulted in failure (and a brief stay in prison, where he wrote Mein Kampf); and his eventual emergence as the all-powerful Fuhrer who devised the Final Solution and led his country into a disastrous war (the film ends in '34, several years before World War II began). It all feels true to life, if sometimes overly dramatic (the scenes in which he perfects his moustache, practices his various poses and gestures, and adopts the swastika as his symbol are like something out of the first Spider-man movie). And while various other characters, friend and foe alike, occasionally share the spotlight (the cast also includes Matthew Modine, Liev Schreiber, Julianna Margulies, Jena Malone, and Peter O'Toole), it's all about Hitler, and this handsomely-mounted miniseries, directed by Christian Duguay, is at the very least a compelling, eminently watchable effort to capture the inexplicable. Weighing in at a hefty 200-plus minutes, the bonus features (included on a second disc) are longer than the miniseries itself. They consist of Hitler: a Career, an informative 1977 documentary with ample file footage of the real Fuhrer (as good as Carlyle is, there's no way any actor can fully portray how truly scary the guy was), and Hitler and I: Reflections of Evil, an unusually thoughtful "making of" doc by David Cherniack that goes well beyond the typical puffery of such items. --Sam Graham


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Well made for a "Made-For-TV" Film

Good overall review of Hitler and his rise to power.... This movie has more on the DVD version than on the original TV version.

One disappointing aspect is how this story strayed away from the SS and the occult... It also seems to blame Hitler's madness on childhood distress which in my opinion is some psycho-anlaytic humanistic trash that cant accept that man is inherently sinful...

Nonetheless, this is an extremely well casted and acted film, and is definitely worth a view... Overall they handled a controversial topic with respect.


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lS ANYB0DY LlSTENING?!?!

This mini-series would've been better had they dealt with the subjects dealt with in the History Channel's documentary ''High Hitler''. Where they revealed that ''Uncle Dolfie'' had an addiction to pain pills which cotributed to a plethora of health problems like gas. Supposedly the Fuhrur farted like a buffalo. He also had battles with constipation and at times he had diarrhea that could polute the Rhein.


it is only by acknowledging Hitler's humanity that we may grasp the enormity of his crime

2 and 1/2 stars

Ironically, this miniseries is every bit as biased as the Nazi propaganda it denounces. The film relies heavily on cliched portrayals of "innocent Jews," "heroic journalists," and "evil Nazis," and in the process ends up sacrificing sophistication to enact a heavy-handed morality play. It goes without saying that the film neglected historical accuracy for the sake of painting Hitler as a demon in human guise, misrepresenting segments of Hitler's life to further its agenda.

This sort of thinking is quite silly. Though human monsters, such as Jeffrey Dahmer and Peter Kurten have existed, Hitler was not one of them. Historical research has shown that he had a number of redeeming qualities: he was a brave and good soldier and considerate to those who worked under him. Though this might make many people uncomfortable, it is only by acknowledging Hitler's humanity that we may grasp the enormity of his crime. To do otherwise is to blind ourselves to the cruelty latent (or suppressed) in us all and impair our ability to recognize it.

Unfortunately, the film's handling of as complex a character as Hitler is woefully simplistic and ultimately unrealistic. Even Robert Carlyle's tremendous performance at times fails to avoid the realm of caricature. That said, the actors did an excellent job with the screenplay given them and the film was still quite captivating in its intensity despite its historical inaccuracies.



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reviews: page 1, 2, 3



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