The Very Best of Beniamino Gigli | Gino Bechi, Giuseppe Noto, ...

The Very Best of Beniamino Gigli | Gino Bechi, Giuseppe Noto, ... | The Art of Gigli

classical music:

The Very Best of B...

	The Very Best of Beniamino Gigli Gino Bechi, Giuseppe Noto, ... EMI Classics, 2003 average customer review:based on 3 reviews view larger image
	for more information click here

Gigli Is A Wonderful Singer!

It's an honor for me to be "the first" to review this recording for Amazon. As "opera lovers" know, Gigli was "the greatest tenor in the world" for many years after the death of Caruso. If you haven't heard Gigli, a great treat is in store for you! He had "penache" and drama in the way he sang. Plus he had a beautiful tonal quality! I could go on and on but if you "pass this guy up" you'll be missing some beautiful and dramatic singing from a "world class" singing actor.

Besides listening to Gigli on Cd, you'd be doing yourself a favor to buy a movie in which Gigli appears and sings. The movie is called "Non Ti Scordar di Me". I'll try to find it on amazon or from "The Bel Canto Society" and give it a "review" also. It's an "old movie" but it has a VERY touching story, is well acted, and you get to see and hear Gigli which is a great treat since he has been gone for at least 50 years. He "comes alive" in this CD and in the movie. You will "thrill" to the sound of his voice. Enjoy! Email:boland7214@aol.

for more information click here

The Art of Gigli

After Caruso's death, Beniamino Gigli became one of the most renowned tenors in the world. His rich voice well justified his reputation. While some of his mannerisms (the little "cries" and "catches" in his voice) can be a bit overdone, they were not atypical of the time. A few reactions to specific cuts.

"Celeste Aida" from Verdi's opera is smoothly sung; his rich voice serves to good effect. As already noted, the little "cries" are unfortunate, but hardly an issue. His higher notes flow smoothly from lower ones, in a seamless fashion. It would have been nice to hear him try for the piano at the end, but he did not choose to do so. Any way you slice it, a nice version of a glorious aria.

"La donna e mobile" is taken at a rather slow pace. It is smoothly sung but does not really catch the spirit of the wretched Duke. He shows wonderful breath control. This is more a workmanlike than scintillating version. On the other hand, "Che gelida manina" is wonderful. Smooth, elegant singing. A very well done high note. An iconic version.

The twin arias from "Tosca," "Recondita armonia" and "E lucevan le stelle" are very well executed. His rendering of the final "la vita" in the latter aria is, again, noteworthy.

And now for something completely different. . . . "Funiculi funicula" is spritely sung, in good spirits, and it is a lot of fun! Most enjoyable. "O Sole mio," likewise, is well rendered. As previously noted, some "off putting" cries, but the warm, full voice more than makes up for such mannerisms. He does not overpower this song with operatic technique. The end result is most satisfying.

"La danza" befuddled the great Caruso (in his version, his breathing fell apart at one point). But not Gigli. Well sung, good breath control. Bravo Gigli!

Back to opera. . . . "Nessun dorma" is well sung. The vocalization is smooth. Gigli's voice soars over orchestra and other voices. The final "Vincero" rings out.

While this CD is not without some questions, as noted above, it is worth 5 stars for its full portrayal of the work of Gigli. As such, it can be recommended for anyone who wants a comprehensive introduction to this singer.

for more information click here

Wholly Likable!!

I bought this compilation along with "The Very Best of Franco Corelli" because of the low price tag. I was highly anticipating Corelli's superpowered renditions of my favorites but it turns out that THIS compilation was the better shopping decision. Though Gigli seems to add certain inflections and high notes in places where one wouldn't normally expect, he makes it seem as if the songs were written that way(maybe they were). Gigli's voice soars above the outdated recording equipment used to capture it. He sings with sweetness and power, a rare combination. The religious and italian party songs are gems and the "Nessun Dorma" is done well even though he was at the end of his career. Gigli is always called "a worthy successor to Caruso" or "the best since Caruso". After hearing this compilation I don't know why he is not in a class by himself.

for more information click here

products you might be interested in