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Running Time | Anita Barone, Butch (III) | Really enjoyed it
 
 


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 Running Time  

Running Time
Anita Barone, Butch (III)

Starz / Anchor Bay, 1999

average customer review:based on 10 reviews
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     highly recommended  highly recommended



The selling point of Josh Becker's high-concept heist picture is a gimmick: the film is shot in one long, (seemingly) unbroken take à la Hitchcock's Rope. The necessary cuts are actually hidden in whip pans and covered in darkness, but for all intents and purposes it looks like a real-time You Are There thriller, and Becker has obviously put a lot of thought into making it look smooth and effortless. Would that he put that much energy into the collection of neo-noir clichés that make up the script. Bruce Campbell (from Sam Raimi's Evil Dead films) stars as the square-jawed street-smart crook sprung from jail only to heist the warden's illegal skim from the prison laundry. His plan is plotted down to the minute but, naturally, begins to unravel almost immediately. If a junkie getaway driver, a stolen van, and a crime scene cased by proxy isn't bad enough, the bickering criminals blow their cover in front of hostages with a juvenile case of name calling, hardly the work of a criminal mastermind. Played for comedy it might have worked, but Becker presents the improbable escapes and a hokey romantic subplot in all seriousness. With only Campbell's disarming tough-guy performance and Becker's technical bravura to carry the film, Running Time comes off as an adolescent's idea of a Tarantino movie: naive, implausible, and contrived, a neat idea undone by a bad script. --Sean Axmaker


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sweaty, nauseating, lovely

"Running Time" was Becker's take on Hitchcock's 1948 "Rope." Becker's film is a technically more difficult shoot as it proceeds in real time and in a 360 degree on-set world, requiring the coordination and excessive efforts of actors, director, cameraman, sound crew, etc...I am amazed at how well it turned out. From the cumbersome love scene to the display of ineptitude within the Laundromat, everything about the film was geared to put the viewer on edge. With hidden cuts and genius camera work, the action was relentless and the viewer was never able to predict where the movie and/or characters were headed. I highly recommend watching the film and then immediately listening to the commentary-you'd be amazed at how much went into making the story/editing seamless.

Briefly, the film begins with Carl's (Bruce Campbell) release from prison 5 years early for good behavior. He is met by Patrick (Jeremy Roberts), a high school chum and raging idiot with whom he plans to steal the dirty warden's money. As a gift, Patrick brings a local prostitute (and Carl's ex-girlfriend) along for the ride-Janie (played by Michigan chum, Anita Barone) quickly rekindles their old flame...so to speak. After dropping Janie off, they pick up their new driver (the ever irresponsible junkie-genius) and their safe man, Carl's old cell mate. The adventures in suspense, failure, frustration, and life lessons ensue.

DVD extras include hilarious commentary by writer/director/producer Josh Becker and star, Bruce Campbell. Score by Jo LoDuca (as usual). "Running Time" is a wonderful addition to any Bruce Campbell or Josh Becker collection and for anyone who loves the continued efforts of independent filmmakers.


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Really enjoyed it

There were some hilarious moments. The one-shot-like concept was great, but the ending was a little anti-climatic.

Bruce Campbell is great.


Nice

This is a cool little film here. It is a under 90 minute film that takes place in real time and achieves the effect of being all one continuous take, which is impressive. To the sharp eye, I believe there are actually 2-3 cuts in the film that are well hidden and take nothing away from the enormity of the project undertaken on a small budget. Bruce Campbell turns in a good performance, Anita Barone is hot, and the film moves along in an interesting way. Fans of unique cinema and Bruce Campbell will have fun with this.


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Not "The Rope," But That's Good

You may remember the Hitchcock's movie, "The Rope" that was shot using one camera and uninterrupted real-time filming technique. Unlike the "The Rope" which was more of a stage play, "Running Time" actually runs. The main character played by Bruce Campbell, is released from prison, picked up by friend, has sex with a prostitute (later revealed to be his high school girlfriend), pulls off a heist, is shot, and runs from the law. Great chemistry between all the actors propels this unique film. Shot in black and white, this film is known in the Indie world as a classic. Written and directed by Josh Becker, one of the Detroit gang. To read the script and find out more about Josh Becker and the business of filmmaking visit [their website] or simply Google "Running Time".


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An interesting curiosity...remember ROPE?

Like Hitchcock's ROPE, running time is told in real time and was designed to look as though it were all created with a single, stunning shot.

Also like ROPE, it gets tangled up in its own device.

I can understand why someone would want to make (or act in) a film like this--the technical and performance challenges require one to be at his sharpest during principle photography. At the other end, well, there's almost no editing to do: you shoot the thing, pick the reels that work best together, and get to work on the soundtrack.

Between my curiosity about the technique and my fondness for star Bruce Campbell, I picked this one up at a local used DVD shop.

The plot's pretty standard crime fare--the most interesting twist is that Campbell's character, who starts the film in prison, is back on a job before the ink on his parole papers has dried (it's real time, remember). But the technique is the real star of this show--it's a guarantee that the unblinking camera, wandering and watching, will draw your attention away from the story. In my world, though, camerawork is supposed to support the story, not distract you from it.

The performances are good all around and suitable to the format (no exceptional gaffes or line flubs), but in the end, I think the average viewer will simply write this off as an interesting way to burn an hour and fifteen minutes.


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reviews: page 1, 2



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