It is filled with first rate performances (some only in cameo, but all of them fully drawn and realized). This is perhaps among the best ensemble film work done by Lee Grant, Faye Dunnaway, Julie Harris, and a host of others. Tension builds with unrelenting force as the story shifts back and forth between The "damned" St. Louis, and Havana where "conscience" in the persons of a father and a leader of the Jewish agency (Ben Gazarra in a meaty role) attempt, unsuccessfully, to plead, then shame, then bully Cuban politicians into honoring the visas issued to the jewish passengers.
We watch as this tension takes its toll on so many of the passengers. We watch as the largely Nazi crew commits their small tortures upon the passengers. We know, as do the passengers and the Captain (Masterfully played by Max Von Sydow) what awaits them should they be forced to return to Germany. The fact that the entire voyage is a perverted Nazi publicity stunt ("See, no one wants them!") is driven home when both the United States and Canada refuse permission to enter their waters....
No spoiler here - you will have to watch the film to see their endings. The performances will haunt you. The set pieces (The entire masked - ball sequence for example) will haunt you. The soundtrack is evocative of europe in days gone by, and the beautiful theme, restated by a variety of instuments and in increasing earnestness, ties the many stories of this large ensemble cast into one coherent experience for the audience.
This is, to many, a mere footnote to history, the plight of these people. But watch and see if you don't feel the largeness of their fear. The impotence of their hopelessness. This underappreciated film has much to teach us that cannot be found in history books.
My only regret is - no widescreen edition. This film begs for it.
Max Von Sydow does an excellent job portraying the compassionate captain trying to find some way of saving his passengers despite the personal risk to himself and his family back in Germany. An all-star cast populates the passengers with strong performances coming from Faye Dunaway, Oskar Werner, Wendy Hiller, Maria Schell, as well as Sam Wanamaker and Lee Grant who both get a memorable scene of hysteria each.
The attempts on land to solve the problem of the ship make up the other part of the film. Most of these cameos are brief, although Ben Gazzara and especially Katherine Ross standout.
The direction isn't particularly inspired, and if it weren't for the compelling story and cast, the film would have been far less effective. It is darkly photographed, which adds to the atmosphere of the story and sets and costumes are all authentic and well done.
Voyage of the Damned isn't a great film, but the plight of its characters and the fact that it really happened will keep viewers watching until the end.
