Dreams of a World | Jose Antonio de Donostia, John W. Duarte, ...

Dreams of a World | Jose Antonio de Donostia, John W. Duarte, ... | An Elegant Journey Around The World

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Dreams of a World

	Dreams of a World Jose Antonio de Donostia, John W. Duarte, ... Teldec, 1999 average customer review:based on 12 reviews view larger image
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highly recommended

This disc is obviously aimed at the world-music audience, if one judges from its title and the subtitle, "Folk-Inspired Music for Guitar." But that shouldn't dissuade listeners interested in more serious music. Isbin has collected original pieces and arrangements from Spain, Latin America, Appalachia, Ireland, Israel, and Greece--all of them quite lovely. It's really amazing to hear, for example, the "Londonderry Air," better known as "Danny Boy," in such a sympathetic arrangement by the late Japanese composer Toru Takemitsu. She plays with such technical mastery that you wind up taking it for granted, while appreciating her songful delivery of this highly varied program of music, which was mostly first intended for the human voice. The uncommonly attractive booklet, including photos of Isbin as a world traveler, is another asset to this fine program, as is Teldec's realistic recorded sound. --Leslie Gerber

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Still a dream ...

This has long been my favorite classical guitar recording, and I just put it on again after hearing another recent favorite recording ("Reflections of Spain") played by David Russell, who is perhaps the most gifted contemporary guitarist on record. I was inspired to do so by Russell's performance of the "Cancion y Danza No. 1" by Antonio Ruiz-Pipo, which though quite excellent, I knew right away was quite different from Isbin's take on the same piece.

First, let me say, I hope that they are good friends, because they are both landmark musicians and worthy "competitors." Both clearly play with absolute love for both the music and the instrument. In short, I prefer Isbin's recording of the Pipo "Danza," even though, overall, Russell's playing is technically cleaner and more facile (but not by much). (Across his entire CD, I recall barely any string noise from Russell, where as Isbin manages a mere dozen or so clear such imperfections across her entire and ample CD; big deal).

I think the thing that draws me to Isbin in this piece (and her CD, in general) is her incredible variety of rhythm, attack, and tone color, all of which combine to give an impression of near perfect balance between spontaneity and precision. She has a way of taking time without the slightest sense of delay or heaviness. This is probably because her tempo never changes, only the rhythm around it, which is a classic hallmark of rhythmic mastery. This means that she hears and feels, both deeply and objectively, every moment of "sound and space" (notes and rest) from beginning to end, like an unbroken line painted across a master's canvas. Combined with this, she uses the space between her bridge and finger board to elicit the most amazing contrasts in tone color (one of the great contributions of Segovia to the art).

Russell plays with equal mastery of rhythm and attack, perhaps aided by the remarkable sonic depth built into his guitar. While he makes maximum use of that wonderful guitar sound, he is somewhat less dramatic in his changes of volume and tone color between phrases, aiming for a more consistent and lyrical quality, certainly another aim of mastery in itself, but there in lies the difference. Still, his sharp shaping of phrases, especially in his choice of Spanish music on his entire CD, with that impeccable technique behind it, weaves a spell all its own.

So, even though Russell's is among the finest pure Spanish musical CDs available, and one of my favorite in that genre (musical realm), I still have to give my nod to Isbin's multi-national effort for its unmatched ability to conjure, especially today, the most sublime dreams of a better world.

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An Elegant Journey Around The World

From the moment I put this CD on my player to the time the CD ended, I was transfixed. This CD is such a delight to the ears, that it is difficult to put into words the emotions experienced while listening. I attended a NY Philharmonic performance several weeks ago with guest soloist Sharon Isbin. Her live performance was mesmerizing. She did an encore performance of "Recuerdos de la Alhambra" which took my breath away. The NY Times reviewer called it a "...virtuoso encore...". How wonderful that this piece appears on Dreams of a World. A CD that will transport you around the world with the flavors of outstanding compositions interpreted by a musician who is one of the greatest living classical guitarists today. Do yourself a favor and experience the magic.

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Dreams with raw emotions.

This is one of my all time favorite CD. When critics call Sharon Isbin the "Monet of the guitar" or the "preeminent guitarist of our time" they only begin do justice to her mastery of the instrument. On this CD my favorite pieces are Agua E Vinho, Cancíon y danza for guitar, Recuerdos de la Alhambra. They are superbly played; they are flawless, passionate ,very moving. I cannot help feeling transcend when listening to Dreams of a World. Ms. Isbin does more than play nice music from all over the world; in this CD she shares her heartfelt dreams of a world.

I highly recommend Dreams of a World.

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Simply Superb

You don't have to be a classical music expert to love this CD. It is accessible to both the novice as well as the sophisticated listener.

Dreams of a World is the type of CD you come back to over and over again. Each listening reveals a new layer of complexity and mastery. To master an instrument requires a unique blend of disciplined technique and creative emotion. One may aspire to being a perfect technician and yet lack in emotive nuance. One may aspire to evoke emotion and yet lack proper technique. In either case the listener is left wanting. Isbin however, inspires by combining flawless technique with passionate creativity. For example, the works by Neomi Shemer shimmer. Isbin's technique, her emotion, and her versatility shine forth on this CD. This is a beautiful work, and should be in every music lovers collection.

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"Dreams of a World": A Dialogue...

I was introduced to Ms. Isbin's music this winter during a trip when a friend had "Dreams of a World" on for 3 days straight, dawn to dusk. Typically, after listening to the same CD twice, one gets bored or annoyed. Yet, this was not the case; on the contrary "Dreams of a World" warmed us up --it was delicately beautiful. Ms. Isbin employs an astonishing pallet of colors, which she blends with unprecedented technical mastery and imaginative nuances throughout her oeuvre.

Cancion y danza for guitar, Agua E Vinho Mahar and Yerushala'im shel zahav are pieces which can easily be overly sentimental and languorous. Ms. Isbin keeps a pleasant balance between the melancholy in her phrasing, the underlying dynamism of her voice
and the warm character of the pieces. I can only recommend Dreams of a World to anyone in search of high quality music played by an artist, not merely a technician.

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reviews: page 1, 2, 3

Tracks
Virgilio (Bambuco Tachirense) - Sharon Isbin, Lauro, Antonio [191 | Canción | Danza | Fantasia: Katy Cruel-Shady Grove-The foggy, foggy dew | Black is the color of my true love's hair | Darling Cora | Putney Hymn | Finale: O'Brien's Jig-red-Haired boy-Planxty George Brabazon | Londonderry Air | Agua E Vinho - Sharon Isbin, Gismonti, Egberto [ | Romanza - Sharon Isbin, Lauro, Antonio [191 | Brisas del Torbes - Sharon Isbin, Rivera, Luis Felipe | Canto Siboney - Sharon Isbin, Lecuona, Ernesto [1 | Preludio No. 6: Dolor - Sharon Isbin, Sebastián, Padre Jo | Recuerdos de la Alhambra - Sharon Isbin, Tárrega, Francisco | Four Songs - Sharon Isbin, Shemer, Naomi [1931 | One day in May | You have set, my star | Varre-Vento - Sharon Isbin, Mello, Gaudencio Th | Dedicatoria

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