Year of the Gun | Andrew McCarthy, Sharon Stone

Year of the Gun | Andrew McCarthy, Sharon Stone | One of Frankenheimer's better later films - but a frustrating DVD

DVDs:

Year of the Gun

	Year of the Gun Andrew McCarthy, Sharon Stone Sony Pictures, 1999 average customer review:based on 7 reviews view larger image
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A writer becomes the target of terrorists when his latest book hits the shelves. Studio: Sony Pictures Home Ent Release Date: 08/31/2004 Starring: Andrew Mccarthy Valeria Golino Run time: 111 minutes Rating: R Director: John Frankenheimer

Caution!

This DVD does not have english subtitles for the Italian dialogue. Some minor plot points are not clearly expressed because of this (Unless of course you are fluent in Italian). The old VHS versions have the english translations.
The film itself suffers from its flaws. The plot is a bit convoluted but still acceptable. Andrew McCarthy, John Pankow, and Sharon Stone all deliver somewhat lifeless performances. The already bland script is diminished by the poor delivery from the actors, and some questionable editing. The cinematography vacillates between bland and wonderful.
Despite all of its problems, I still manage to like this film. It is a must for any Frankenheimer devotee, also for any admirer of the wonderful Valeria Golino.

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One of Frankenheimer's better later films - but a frustrating DVD

The latter years of John Frankenheimer's career were mostly a downward spiral with only occasional rare steps in the right direction, but Year of the Gun is certainly one of his better late entries thanks to a terrific premise. A less annoying than usual Andrew McCarthy is an American writer in Rome secretly working on a Day of the Jackal-style novel about a Red Brigade plot to kidnap Aldo Moro, only to end up in their bad books in a very big way when it turns out to be a virtual blueprint for the real-life crime they're on the verge of committing. Sharon Stone, in the best of her pre-Basic Instinct films, plays the pushy freelance photo-journalist after his story who gets down to her trademark horizontal gymnastics (sans icepick this time) for good measure, while no-one else is what they seem to be.

The plot creates its own momentum, leaving Frankenheimer free to evoke the chaotic Italian political landscape and the shocking violence of the Red Brigade's outrages in a series of convincing set-pieces. The action is well-handled - especially a bank getaway and a prolonged chase sequence - the story engrossing and for once the ending catches you off-guard. Not up to the standard of Frankenheimer's earlier classics, this is still a superior thriller, though the lack of English subtitles for the Italian dialogue is a bit frustrating - they're not to be found on the UK DVD or the widescreen German DVD (which cuts one sex scene from the US and UK versions but includes it as a deleted scene) either.

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Decent film, awful DVD

This is a moderately entertaining late work from John Frankenheimer. The basic premise - a young journalist writes a novel about the Red Brigade in 1970's Italy, only to have it stolen and mistaken for the truth, causing him and his friends to be hunted for murder - is strong. The film itself is hampered by an obviously low budget and a lackluster leading man, though Stone and Golino are quite good. Even with schlocky stuff like this, Frankenheimer's talent with the camera and his actors shines through.

The DVD, however, is a complete disaster. Many scenes are in Italian, but Sony has left off the original subtitles, as another reviewer mentioned. Scenes going on for five minutes at a stretch become incomprehensible. In addition, though the case says the film is in 1.66:1 widescreen, it is actually fullscreen.

The film is not a masterpiece by any means, but it deserved better treatment than this.

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To tackle domestic terrorism

It is easy to knock this movie for its already mentioned shortcomings (not all of which are that serious). Yes, this is a real life story of the assasination of Aldo Moro fictionalized, courtesy of John Frankenheimer. But this is Italy in the 1970's, so why worry ?
Is there any contemporary U.S. director ready to tackle a domestic terrorism story ? David Lynch, perhaps ? "Matrix" hacks ? Coen Brothers ? I do not see any impulse in the contemporary Holywood to join the events forming the U.S. global
policy approach, just the customary bunk employing Vim Diesel
and his ilk. What a waste of dramatic potential... What a waste of all these writers hopelessly stuck in their cozy "cold war" track. It is all about a formula, isn't it ? It should be about "worldview", intelligent grasp of contemporary affairs, and, above all, about anti-Grisham revolt.. Once we abolish "Grisham" mentality, we edge closer to reality.Can these hacks retool in time, before the whole thing overtakes them because the "political correctness" ?? But I am afraid, the film-music composers will defend Grisham and his ilk to the death. The Cold War of old was good to the film music mainly, and also to writers who tried to emulate Tolkien, because the reality seemed to.
THEY WERE WRONG !!! All except Solzhenitsyn,for he knew what he was after.
My bet is - Clint Eastwood will likely come up with something that smacks of Globalpolitik and is also exciting. And the style will (and should) be ivolving Neo-Realistic amateur actors plus an inspired director combination, just like in Vittorio De Sicca or Lucchino Visconti times. Who needs Tom Cruise, Gwyneth Paltrow, etal., you know what I mean ? I myself could act in a film that means SOMETHING, but then I could not be in a movie where they would make me act phony, right ?
BUT, I watch these phony movies all the time and then I get out of the house and see how true to life they are. Do I dare to ask anyone anything ? They all assume we are on the same wavelength because of the media available to us all. How do I tell them that there is a short-wawe radio service that tells of different opinions, if you speak British English or Australian English or South-African English, not to mention if you speak or understand any other language. You would learn a bit more.

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The Movie is Better than the Book

This is one of those occasions where the film beats the book.

The greatest enemy of this movie has nothing to do with the film. It has to do with the fact that how many viewers will care enough about Italy and its communist 70's problems.

Dialogue is dialogue unless its written by Ed Wood. The twists in the plot are enough to keep you watching. And you may even be surprised.

Polical films require the viewer to accept some amazing coincidences, the kind of coincidences that occurred in "The Day of the Jacket," which is referred to in this film also.

The film didn't and wouldn't win an award, and who cares who the director is. The novel was thin also, but again, there is no international intrigue, just an American caught in a duplicious situation.

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reviews: page 1, 2

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