In this picture Temple plays Wendy Ballentine, the adopted daughter of two vaudeville stars (Jack Oakie and Charlotte Greenwood). She literally grows up onstage (just as Temple grew up before film audiences in the 1930s), stealing scenes from her parents and becoming an integral part of the act.
However, the Ballentines yearn for a more stable and "normal" existence, and, thus, retire from show business to take up residence in a hamlet in the countryside. It isn't an easy transition: the townsfolk seem to have a poor opinion of "show people" and shun the Ballentine family. Wendy also has trouble adjusting to life offstage: she reads "Variety" at home, teaches her entire class to do splashy musical theatre numbers and tap dances around her living room.
Of course, all ends well. On their way out of town (returning to the warm world of vaudeville), Wendy and her parents rescue a local child in a storm. The Ballentines save the day, the town is grateful, and the residents finally learn to peacefully coexist with their colorful neighbors.
Temple's Fox swan song was not her strongest picture story-wise, but it did inadvertently give her the chance to say farewell. One of the most touching scenes in the film is the Ballentine's last performance at the theatre, where, after giving a show-stopping tap number, Wendy addresses the audience and thanks them for their support over the years.
Oakie and Greenwood, as the senior Ballentines, gave wonderful performances. They actually were ex-vaudevillians, and were given some great opportunities to show off their numerous talents. Temple, of course, was also top-notch in her dance and acting.
