Although many of these films appear on another compilation (D.W. Griffith: Years of Discovery), important exceptions include 1911's "Enoch Arden" (a prestigious adaptation of Tennyson's poem); "The Usurer," one of Griffith's best films from 1910; "The Last Drop of Water," a grand-scale Western made during Griffith's first trip to California (and an indication of grander films to come); and "His Trust," the first of a two-part serial featuring Griffith's then-common use of blackfaced actors as "noble Negroes." Most important (in addition to early appearances by Lillian Gish, Lionel Barrymore, and other silent stars) is the arc of progress that these films represent. In Griffith's capable hands, we witness "flickers" in their most rapid stage of development, incorporating new techniques (parallel action and cross-cutting, changing camera angles within a scene, dramatic close-ups) from a tireless innovator who would soon rise to the challenge of epic, feature-length productions. --Jeff Shannon