Light Keeps Me Company | Julia Roberts, Rikard Wolff | A window on one of the greatest...

Light Keeps Me Company | Julia Roberts, Rikard Wolff | With one eye he cries

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Light Keeps Me Com...

	Light Keeps Me Company Julia Roberts, Rikard Wolff First Run Features, 2002 average customer review:based on 3 reviews view larger image
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Twice an Oscar winner and considered one of the foremost cinematographers in the history of film, Sven Nykvist is best known for his work with Ingmar Bergman. Together they created some of the most important films of modern cinema. Despite a tumultuous personal life that included the tragic suicide of his oldest son and a sweeping love affair with Mia Farrow, Nykvist's passion for his craft did not fade as he directed films and collaborated on projects with filmmakers such as Woody Allen, Louis Malle, Andrei Tarkovsky, Roman Polanski and many others. Light Keeps Me Company offers an intimate and moving look at the life of legendary Swedish cinematographer. Film clips, rare home movies, family photographs, and behind-the-scenes footage are interwoven with interviews featuring an array of film legends who've worked with him over the years.

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A window on one of the greatest cinematographers ever

Great documentary on one of the great visionaries of 20th Century cinema. Highly recommended. If you like it, don't miss the short documentary "The World of Kazuo Miyagawa" which is included on the wonderful Criterion DVD of Akira Kurosawa's Rashomon. They are both nearly required viewing for students and serious fans of cinema.

With one eye he cries

This documentary is beautiful and informative on many levels. It should entertain anyone with an interest in (fan or admirer of) Sven Nykvist, Ingmar Bergman and their movies. Nykvist's life is covered both personally and professionally; many famous directors and actors with whom Nykvist has worked [Ingmar Bergman, Liv Ullmann, Roman Polanski, Woody Allen, Susan Sarandon and Julia Roberts to name only a few] talk about his craft, while childhood friends discuss Sven's youth and family. The documentary, directed by Sven Nykvist's son Carl-Gustaf, is partly narrated by Erland Josephson, and I cannot suggest how it could have been made better, but just as in the case of Kino's DVD edition of "The Sacrifice," (which at the time of my buying it was the only available edition of the movie) "Light Keeps Me Company" has NON-OPTIONAL subtitles. They're glued on. When I try to shut them off, my DVD player informs me that they already are off. I find this disturbing as FRF's is the only available DVD edition of this documentary, and as my mother tongue is Swedish, which here is mainly the spoken language. Either way I never watch movies (Swedish or English) with subtitles; aside from their blocking out part of the picture, the translation is often, as in this case, clumsy, partly misleading, even incorrect, contains type-o's, and not always there when it should.
The full filmography of Sven Nykvist (117 films between 1943 and 1999) is a useful extra, but I don't think the trailer for the totally unrelated "Live Nude Girls" is necessary on this disc.
However, the DVD edition aside, this is a rich and wonderful documentary (which alone, I would give full points,) and I will recommend it to people who work within--or are interested in--any aspect of filmmaking.

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More of a son's fond tribute than a documentary

I found this to be a loving but oddly incomplete biography of Sven Nyquist by his son, Carl-Gustav (Erland Josephson is the film's narrator). It's a shame that the great cinematographer has been silenced by his aphasia; the parade of on-camera interviews must serve as a substitute for what Nyquist cannot say for himself, and they are a great testament to the influence of his talent on several generations of actors and directors. This short film (75 minutes) is filled with many family photos and rare on-set stills. There are also clips from a haphazard array of films, strangely uncredited, and it is left a great deal on the interviews (Bergman, Ullman, Polanski and many others) to discuss his technique and the effect of light on Mr. Nyquist's work. This is obviously a son's tribute to his father, and enjoyable, but anyone looking for more film-by-film analysis should look elsewhere.

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