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Moon 44 | Michael Paré, Lisa Eichhorn | Great back-story. So-so main story.
 
 


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 Moon 44  

Moon 44
Michael Paré, Lisa Eichhorn

Lions Gate, 2001

average customer review:based on 10 reviews
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moon 44 "EXCELLENT"!!!!!!!!!

THIS IS MOVIE IS A MUST SEE FOR ANY SCI-FICTION FAN,THE STORY IS GOOD,THE SPECIAL EFFECTS ARE GREAT,THEY DID IT THE OLD FASHIONED WAY, WITH MODELS, REAL EXPLOSIONS,HAND BLUIT MINIATURE LANDSCAPES,AND IT ALL LOOKS GREAT!. THE CAST IS ALSO PRETTY GOOD, YOU HAVE MALCOLM MCDOWELL AND MICHAEL PARE, THEY BOTH GIVE A DECENT PREFORMANCE IN THIS MOVIE,BUT?, ANYONE WHO WENT TOO THIS MOVIE WAS THERE TO SEE THE VERY NEET ATTACK HELICOPTERS. THIS IS AN EXCELLENT LITTLE MOVIE,WHICH DID SHOW IN A LOT OF MAJOR THEATRES IN (1989),AT THE VERY LEAST, THIS MOVIE IS WAY,WAY BETTER THAN ROLAND EMMERICH'S "GODAWFUL GODZILLA " MOVIE ,WHICH WAS A VERY, VERY ,BAD MOVIE!,INDEED.


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Great back-story. So-so main story.

We have a very mixed bag here. On the one end you have a poorly executed plot rife with clichés and stereotypes. On the other hand you get an excellent back-story that far outshines the main one. Moon 44 is not your average B-movie fare. You get an interesting mix of good and bad that ultimately makes the movie worth watching? if you keep in mind certain things.

The first thing you need to keep in mind is the main plot can almost be completely discarded. It?s way too stereotypical and ultimately does nothing but give the good guys a reason to chase the bad guys and the bad guys a reason to be bad. This, more than anything else, makes Moon 44 no better than any other B-movie. Now that you have this in mind you can pave the way to see the excellent background story developing here. There are a couple of little sub-plots that really make the script shine. For instance there is a conflict between the pilot/convicts and their youthful navigators. This kind of storytelling makes for great drama and this is what?s pulled off perfectly. Other little things are going on in the back-story as well like the rivalry that turns into respect between Stone (Michael Pare) and one of the pilots Jake O?Neal (Brian Thompson) as well as several other tidbits. The great background characters and storylines are what save this movie from being just another clichéd B-Film.

The acting is also a mixed bag. Michael Pare doesn?t bring anything different to the table here with his tough-guy special operative role and Malcolm McDowell?s performance didn?t really give anything fresh to the movie either. I can?t really blame Pare and McDowell too much as their roles are a victim of a canned script. Dean Devlin however gives a brilliant performance as Tyler, the good-natured navigator who comes to terms with hard realities. I always enjoy seeing Brian Thompson in a film and I believe he is often an underrated talent. Other notable performances come from Leon Rippy and a quirky yet heartfelt performance by Stephen Geoffreys. As far as the rest of the supporting cast you do get some great performances. Overall the acting is quite good, save for a few standard performances

The sets look like this movie comes out of the Alien universe, which means they look cool and functional. You don?t get many dark and eerie Sci-Fi sets like that those anymore. The design for the gun ships is pretty cool even though they are still just helicopters. The robot attackers look cool, but you would think they would have had robot ships and not robots flying ships. I guess you can explain that away for various reasons, but it still sits odd with me. The special effects are serviceable considering this is a low budget movie. Probably the model work will be the thing that is most evident of a limited budget. Still I prefer to take all things into account and can easily forgive the limitations as the model work still looks reasonably realistic, and compared to other B-movies it?s downright excellent.

Moon 44 is a B-Movie. No doubt about it. However it?s one of the better B-Movies out there. If it wasn?t for the weak main plot and script that followed it you would have a truly great movie. As it stands the film is saved by very strong character development, great acting, well executed sub-plots, and better than average special effects. You will get a good movie if you can get past the main storyline, which isn?t too hard, as it seems to only be there to move events forward. If you?re just out for flashy effects and lots of action then I suppose you won?t find this movie as interesting as I did. For those of you driven by story and character development I say with Moon 44 you will find a diamond in the rough.



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I'll Take This "B" Movie Over A Coma Anyday

I've seen hundreds of Sci Fi movies over the years. This is one of those you'll wonder whether you've watched it or not a few years down the road. You just can't remember.

All in all, I figure it's still better to watch a so-so Sci Fi movie than "Dances With Wolves" or "Evita". This movie will end up being non-memorable, but it's preferable to being in a coma.



Early effort from director of ID4, Stargate, and others...

I first saw this film in 1991, after exhausting the sci-fi section at my local Blockbuster. A straight-to-video release (as I recall) I thought it a decent outer-space adventure. Grim, gritty, raw, it tries to be a combination of several genres: space opera, hardboiled detective novel, war movie. It succeeds at none of these, but taken as a whole is enjoyable weekend popcorn fare. Pare does a good job as our disaffected intellectual tough-guy hero, while other B and C list names show up for decent turns. Leon Rippy especially is fun as the failed, proud, bull-dogged Sergeant Sykes, while Malcom McDowell appears as the military commander whom you just know in your heart is up to no good, right from the start. Because, hey, it's Malcolm McDowell! Roscoe Lee Browne is also worth mentioning as the slick, coniving corporate boss. The special effects are of the limited-budget variety, and it's a shame Emmerich didn't have access to either CGI, or more money, as he has in later, better-known movies. But I think this movie is worth watching, and even owning, if you want to see solid early work from a director who has since tackled some of the highest-profile and biggest profit-reaping films in the industry.


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reviews: page 1, 2



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