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Beautiful Joe | Sharon Stone, Billy Connolly | BEAUTIFUL JOE
 
 


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 Beautiful Joe  

Beautiful Joe
Sharon Stone, Billy Connolly

Sony Pictures, 2001

average customer review:based on 9 reviews
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Amiable Irishman Joe (Scottish comedian Billy Connolly), after an all-time mother of a bad day, decides to leave his adopted New York home and seek adventure. Unfortunately, he runs into Hush (Sharon Stone) and gets far more adventure than he bargained for. Beautiful Joe is a well-intentioned film, and that is nearly all that can be said for it. It tries to be both comedy and drama, but is comfortable as neither. Stone's character is the standard beautiful-but-messed-up-woman-who-needs-rescuing who is for some mystifying reason supposed to be appealing. And yes, of course she has a mute son who just might speak if only he had the right reason. Stone, who stretches herself here, is clearly eager to play a character: she mugs, she drawls, she wiggles, and she cries. Not a scrap of scenery escapes her gullet; at times her attempts at comedy actually become sort of upsetting. Ally McBeal's Gil Bellows turns in a similarly inept and cartoonish "comic" performance. Beautiful Joe's one saving grace is Connolly, who manages to rise above his fellow cast members and the bizarre editing to turn in a charming, dignified performance. --Ali Davis


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Help!

Help! Can anyone help me find the soundtrack to this movie! A movie with such great music should'nt go unheard!


BEAUTIFUL JOE

It was so easy and I got the video within a week. I am very happy with my purchase and plan on purchasing other movies.


Stone and Connolly a Winning Team

This 2000 black comedy from the United Kingdom began as if it were going to be a tearjerker, but with the right touch came off as an inspirational film where two people find each other at difficult moments and eventually happiness. Billy Connolly, the world famous comic from Glasgow, and sexy Sharon Stone comprise the initial odd couple that in the end fulfill each other's needs.

Connolly's plight is far more tragic than Stone's in that he is handed a potential death sentence by his New York City doctor. At the very time that he needs sympathy and understanding he comes home and finds his wife sharing his bed with another man. She tells him bluntly about her intention to seek a divorce because she finds him totally boring. He does not tell her what he has just heard from his doctor.

The scene then shifts to Churchill Downs in Kentucky, where Connolly has gone to gain a needed change of scenery. He is betting on the races and doing it foolishly, without any semblance of strategy. Horseplayer Sharon Stone sees him there. After latching on to him as a potential means of helping her financially, she gives him up when he hands all his track winnings to two nuns, causing her to conclude that he is a loser as she walks him away and leaves him standing in the distance watching her.

Connolly meets Stone again at the strip club where she formerly danced and now supervises. He catches her at a bad time, when an old live in love that now works for the mob is seeking to obtain money she owes. Eventually Connolly takes Stone home. Just as she is again about to end their association she realizes what an effective housekeeper he is when she is at the club and that her two young children like him.

Just as Connolly, Stone, and the two children are making very much like a family a problem ensues and the mob is in hot pursuit. For one thing, the local Kentucky mob boss played by Ian Holm has mistaken Connolly for a famous New York syndicate head, has let him off the hook on the debt, and has angered his superiors. Gil Bellows does a superb job of playing the highly incompetent former love of Stone who invests the role of enforcer with Inspector Clousseau comedic clumsiness. Holm is plenty clumsy himself and the film is one that focuses on comic deficiencies of the mob figures rather than ruthless and violent efficiency.

The Kentucky mob ultimately pursues Connolly and Stone to Las Vegas after she has told her girlfriend where she is going, never dreaming that she will report back to her enemies. Eventually the pair will find happiness after some unique surprise twists involving the mob figures.

Stephen Metcalfe wrote a fine script and directed as well. He deftly spun two character arcs in the film, that of Connolly abandoning his former cautiously boring demeanor as he becomes associated with Stone. At the same time, Stone, while bringing Connolly out, admires his stable qualities and tones down her erratic conduct and savage temper.


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reviews: page 1, 2



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