The ensemble play a large role in the story-telling, where as the leading-lady only gets a few solo songs. This doesn't greatly matter!
All of the music has been written around 4 of Liza's dreams: Glamour Dream, Wedding Dream, Circus Dream and Childhood Dream. I have fell in love with much of the music (all of the music in the Glamour Dream) - although some of the latter dreams may seam somewhat monotonous.
The music dates back to 1940. There are some brilliantly tuneful motifs here, which you feel you have to hear over and over!
The vocals are in the region of Classical Music Theatre, rather than popular styles. Therefore, it is absolutely suited for the National Theatre, from where this recording originates.All the original orchestrations, by Kurt Weill, are used here, which are absolutely lovely. Therefore, there are considerable differences compared to the NT's live production, where they re-orchestrated using a much smaller orchestra. Also, although all the NT's performers are recorded, the score is in its original key. I believe that Maria Friedman needed the score transposed down for the show, although I strongly believe that she sounds fantastic in her higher register.
I thought I wouldn't enjoy this style of theatre, from the Gershwin days, but I have been truly and excitedly thrilled by this fantastic show. I can't get enough of the Glamour Dream!
Tip: I would firstly listen to the C.D. whilst reading the enclosed synopsis/lyrics! You get a better idea of meaning!
Although none were awarded, Lady in the Dark received a few Olivier nominations, including best new musical, and Maria Friedman as best actress.
