DVDs:

	Return of the Secaucus 7 Mark Arnott, Cora Bennett MGM (Video & DVD), 2003 average customer review:based on 7 reviews view larger image
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Released maybe two years ahead of 'The Big Chill', which I found cold, lifeless and built around a soundtrack - not a script. 'Secaucus 7' had a much more intimate feel - and lower key humor, but way more my style (though I didn't find myself as amused as I was @ 17 when I orignally saw it).

The cast is understated and good. It's amazing that more of them have not gone on to do more films of higher (David Strathairn to numerous things, Gordon Clapp to NYPD Blue', Adam LeFevre to many commercials). There is no one stronger character - all have their moments.

I do believe, there is at least one scene cut from the restoration comedy play they attend, but other than that, the movie is intact. One original song by Adam LeFevre ("Mean to Me") is actually very good.

The extras are sparse - w/just commentary from John Sayles and Maggie Renzi. Rent or buy it.

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Interesting but not wonderful

Return of the Secaucus 7 is an OK film probably best enjoyed by those who either remember the 1960's fondly or have a big interest in that time period and its aftermath since is likely to leave others a bit underwhelmed. I had difficulty caring greatly about the characters and their lives and the acting is a bit uneven. The movie was obviously shot on a shoestring budget and nothing in the storyline is really compelling enough to make up for the lack of a big studio production. I did enjoy unexpectedly seeing a young Gordon Clapp of NYPD Blue fame show up in this film.

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a historically important slice of life

If you lived through the sixties and especially if you were involved in the movements to transform society, this movie is a must and you'll rate it as five stars. If you didn't, the lack of a story and the presence of only one event (sex between two of the characters--and even that happens offstage) will make you wonder what all the raving is about.

This reunion of a group of typical sixties characters was portrayed in 1980, about the time it would have happened. Everyone involved in the various movements of the sixties thought at the time that all their efforts had come to nothing. And the mass media pushed this idea all through the seventies to cool down the activists after the rash of bombings that followed the Kent State massacre. Many of the sixties activitists had graduated, they had to have jobs and they figured that all was lost. Many others, however, had escaped from the draft by going to graduate school, and they were just emerging with their PhDs and getting jobs teaching in colleges and universities. Quickly, they realized they could use their skills in organizing and networking to vote themselves into heading departments where they had hidden out (the "soft" fields like literature, education, history, sociology, etc.) and could transform society "from the inside" by educating the next generation of Americans. (If you want the whole story, you can read The Rape of Alma Mater.) But they knew from bitter experience that they could only succeed if they kept it quiet.

This movie is a slice of life portrait of those who did not go to graduate school and whose outlook reflects the view of the time--that the movement was dead. With a story, this could have been a much more affecting movie. It is unfortunate that filmmakers think that in order to create an art film, they have to make a film in which little or nothing happens; and it is unfortunate that their view of art defines as art only films that are static.

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reviews: page 1, 2

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