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Braveheart | Mel Gibson, Sophie Marceau | Gibson's Prophetic Masterpiece
 
 


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 Braveheart  

Braveheart
Mel Gibson, Sophie Marceau

Paramount, 2000

average customer review:based on 841 reviews
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     highly recommended  highly recommended



Scotsman William Wallace leads his fellow countrymen to fight for liberation.
No Track Information Available
Media Type: DVD
Artist: GIBSON/MARCEAU
Title: BRAVEHEART
Street Release Date: 08/29/2000



Braveheart

Mel Gibson shines in this movie. Well scripted and plenty of action. Battle scenes are tremendous and reminds one of the slaughter the Scots went through. I highly recommend this movie.


Gibson's Prophetic Masterpiece

By now William Wallace's battle cry for freedom has gone down in cinematic history, and why not? It's a rousing speech that drives a group of historical underdogs to victory in a battle that they certainly had no business winning. And as an added bonus Americans love the concept of freedom. So even though we aren't free at all the image of Mel Gibson up there screaming, "But they can never take....our FREEDOM!!!" is just the kind of foot stomping jolt that can fool the masses into caring about Scottish history. The film itself hasn't done too bad either, winning that best picture statue and all, and it is a perfectly solid throw back to an earlier time. Wallace fights bloody, beautifully show battles to avenge the murder of his bride and to promote "freedom" in the face of British imperialism (13th Century Style). The characters are broadly drawn (the crazy Irishman, the dim witted brute, the evil King) and the plot is less than adventurous. The values pander to a middle class audience (have a family, brains over brawns, don't rape brides on their wedding days) so all in all the average movie goer is well taken care of. I even caught myself becoming emotionally involved in the cause of the Scots, but that could just be due to the anti-imperialist in me. Gibson, as director, is able to produce real magic with some of his shots and nothing he does here takes away from his reputation as a born storyteller.

What was most interesting to me was to see how much of this film foretold the future of Gibson's oeuvre. We have a trip into an obscure moment in history that ultimately results in a pretty conventional action flick ("Apocalypto"). We see his obsession with all things Christ and torture related ("Passion of the Christ"). And yes I know he didn't direct it but we see a dumbed down, Americanized version of this exact story in "The Patriot." I liked this movie and I liked "The Patriot" but now I'm questioning whether or not it was only made to sell the same tale to xenophobic types who aren't comfortable rooting for non-Americans. Who knows. I do know that I respect his ability to cater to modern tastes in an attempt to school people on parts of history that they should know about and would find entertaining. Unlike his hero, Gibson is willing to compromise. And while that may mean that this is not a great film it does mean that he reached a far greater audience than had he strictly stuck to the script that the history books provide. ***1/2


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reviews: page 1, 2, 3, 4, 5, 6, 7, 8, 9, 10



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