State of Siege | Yves Montand, Renato Salvatori | A story more Americans should know about
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State of Siege
State of Siege
Yves Montand
,
Renato Salvatori
Columbia Pictures Home Entertainment, 2002
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based on 9 reviews
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highly recommended
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I was a student at Indiana University, majoring in political science (comparative politics)in 1975. We reviewed this movie for a Latin American Political Systems class because the movie was based on the activities of a police official from Gary, Indiana. So, for the person writing the review preceding this one you might need to check your facts about the movie "not" being historically based.
A must see for insight into the workings of organizatons such as the CIA, the USAID, the NED and even PEACECORP.
A story more Americans should know about
This is a story more Americans should know about, especially now with the evidence of U.S. implementation of torture in Abu Ghraib (Iraq) and Guantamo (Cuba). This video makes it clear that torture has been a commonplace practice in US foreign policy. This movie tells the story of how Dan Mitrione (he's given another name in the film) was sent to Uruguay to teach the police of the Uruguayan dictatorship to torture "leftist radicals." According to some testimonies, in order to teach his techniques, he used homeless indigents as guinea pigs and tortured them to death. He was captured by the Tupamaro (a left-wing guerrilla group) and finally executed when the government refused to make the group's demands. The movie was filmed in Chile a year before the Pinochet coup. It is in French and was not widely circulated in the U.S. (for clearly evident reasons).
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The Smoking Gun in the Case of Dan Mitrione
Costas-Gravas'1973 film
STATE
OF
SIEGE
suffers from one overwhelming defect: it was produced before the most damning evidence against Mitrione came to light. But then, the Tupameros who kidnapped and ultimately executed him also lacked that evidence, as did the author of the best book concerning him in English, A.J. Langguth's HIDDEN TERRORS- at least until it was ready to go to press in 1978. Langguth notes the difference between the real Mitrione and the character who represents him in the film, Santore, played by Yves Montand. "Montand was slim and continental; he smoked cigarettes. Mitrione was midwestern and corpulent; he had puffed, occasionally, on cigars. He also criticizes Costas-Gravas for "including every undocumented rumor about Mitrione in the film," which is indeed one of the film's weaknesses, for being undocumented, the crimes of Mitrione are not presented very convincingly or linked directly to him. But Langguth is unjust in blaming Costas-Gravas on this score, because the filmmakers did not know, any more than had Langguth himself when he originally wrote his book, that the most damning accusation was true.
When one reads Langguth's account of the interrogation of Mitrione by a member of the Tumpameros, which takes up all of Chapter 9 of his book, one is struck by the incredibly naive, young and gullible nature of these people. Far from being the organized urban guerillas they are portrayed as being in the film, they come across in this account almost as flower children. They were woefully unprepared. The interrogator, although he spoke English and had lived in the US, was not even able to correctly pronounce the word "torture", which after all was the matter at issue, and had to rely upon Mitrione to help him out! One wonders how these people could have gotten up the courage to execute Mitrione after the Uruguayan government refused (at Nixon's insistence) to release 150 political prisoners in exchange for his life. But then, they seem to have been a bit confused concerning their goals. Freeing 150 prisoners would only have helped those 150-- it would not have solved the problem of US-supported repression in Latin America.
So how should the Tupameros have gone about solving that problem? First of all, they should have prepared the case against Mitrione more carefully, so that instead of the amiable chat related in Langguth's book, their interrogation would have been hard-hitting. Along with Mitrione, they should have captured a US journalist, not intending to harm him or her, as a witness. The interrogator should have come in with all the evidence he or she could gather about Mitrione, and with the goal of discrediting him, and thus US policy. He should have collected a number of Mitrione's victims, as well as-- if it had only been possible-- one other, all-important person, with evidence which constituted the "smoking gun". These should at first have been kept out of sight, in an adjacent room. The interrogator should have read the accusations against him, and then the accusers would be brought in, one by one. As it would no doubt be painful for the ones who had been tortured to recount their experiences in Mitrione's presence, they would have been asked to write their testimony ahead of time and simply read it. Then Mitrione would be given a chance to confirm or deny the charges. Even if he denied them, the sight of his victims and their accounts would have been damning.
And then the Tupameros should have led in their star witness, a Cuban named Manual Hevia Coscuelluela. Mitrione would have known this man as a CIA agent, allowed him in on his torture "classes", and confided his true feelings to him. What he would not have known was that Hevia was actually working for Castro-- he was a double agent. In 1978 he published PASSAPORTE 11133: OCHO ANOS CON LA CIA, which is not available in English translation. Despite the author's undeniable political bias, two reputable Americans-- the journalist Lannguth and the scholar Alfred W. McCoy, author of A QUESTION OF TORTURE: CIA METHODS OF INTERROGATION FROM THE COLD WAR TO THE WAR ON TERROR, have accepted his account as authentic. Furthermore, it is supported by the testimony of the former Uruguayan Chief of Police Intelligence, Alejandro Otrero, who was no Communist. It was the CIA who had trained Mitrione, although he was not officially working for the Agency, and this methods were straight out of the 1963 KUBARK MANUAL OF INTERROGATION. Hevia should have looked Mitrione and asked, "Seņnor Mitrione, do you remember me?"
Confused, not fully realizing where Hevia's real sympathies lay, Mitrione would probably have answered "Yes".
"I attended your class on interrogation did I not? Did you not personally expound to me your views on the 'art' of interrogation?" MItrione would hardly have been able to deny it. And then, right there on camera, with the American journalist taking notes, Hevia would have begun his account of these experiences. "Your torture demonstration utilized four Uruguayan beggars, one of them a woman, who had committed no crime but were merely swept off the street to suit your purposes. You used them to demonstrate the effects of different voltages on different parts of the human body, and a drug which causes vomiting. They all died. You tortured them to death, Seņor Mitrione. And then later, you related to me your philosopy of interrogation, which involved torture and beatings-- before, during and after the interrogation-- not to obtain information which could save lives but to punish those who dared to criticize the government. Proudly you told me, 'In my profession, I'm the best.' You called your 'profession' interrogation. I think most of the civilized world would have called it simply 'torture'."
After this film was shown around the world, and the journalist's report was published, I think that even if Nixon had continued to oppose the exchange of 150 prisoners for Mitrione's life, and Mitrione had been executed as he in fact was, the president would have felt it politically unwise to send the commemorative wreathe that he did when Mitrione's body was brought home to Indiana for burial.
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Needs to be out on DVD....
As another reviewer noted, this is an important film, one based on fact. It shows a "traffic expert", played by Yves Montland, going to a South American country to "assist" in traffic, but in reality, he is a CIA operative specialising in torture squads, trained by the US. He is kidnapped and held for ransom by leftist factions, the government refuses to negotiate with them, and he ends up getting killed. There is a scene where operatives torture live subjects on stage in front of the South American's military. It's an extraordinarily difficult scene to watch, but it is very powerful and is not done for shock value. The film is a bitter condemnation of American involvement in Latin America. It shows that the US government (and quite a lot of other governments...the French did this in Algeria) tortures people, so the Abu Ghraib scandal wasn't that surprising. The film isn't as good as Z, Costa-Gavras's first political film, but it's definitely worth watching and searching out.
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the unmentionables..... TUPAMAROS
The film "
State
of
Siege
" by Costa Gavras is as relevant today as the day it first came out. This film is a retelling of foreign Governments violent take over South American countries in the late 60s and early 70s. Much of these facts ca also be found in the book The Condor Years: How Pinochet and His Allies Brought Terrorism to Three Continents by John Dinges. A must see thriller that reveals the struggle in Latin America by a group of individuals who named themselves after Tupac Amaru the Great Inca Guerilla warrior who fought against the Spanish to free Peru. The Tupamaros history is well represented in this film but you won't find a DVD or reasonable priced copy of it in the US for various political reasons. I suggest Brazil or Europe.
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