It is dated, and some of the work it too artsy, but I really think this film deserver a closer look because it works on several levels. Based on the poems by Robbie Burn (Tamlin) and Sir Walter Scott (Ballad of Tam Lin) it was called Ballad of Tamlin, Tamlin and the ridiculous Devil's Window, and has roots in ancient Scottish Folklore. I think the dated hip 60's look even now works for the film, for it gives a slice of time, just as the poems reflect their periods.
Ian McShane is gorgeous as the young man caught in the web of the Faery Queen (the timeless Eva Gardner) who maintains her youth like a black widow, by surrounding herself with the young and refusing to admit her ageing, until she sacrifices the willing, king sacrifice. This goes back to the king sacrifice ritual and pre-christian times, for the sake of renewal. In distant history, a renewal was of crops meant to sustain the people, in this instance, a renewal is her eternal beauty. Things are moving along until the virgin (Stephanie Beacham)comes along and entrances Tamlin with her simply purity. When the Faery Queen sees she is losing power over her young lover, she decides it is time to sacrifice him and only the pure, true love of Beacham can save him.
This movie is pure pagan lore, the crone face of the goddess equated with winter's fight against the virgin face of the goddess ie spring, and the male caught between them. McDowell did a wonderful job putting this ancient lore in the very definitive period of the swinging 60s, pulling excellent performances out of Gardner, McShane and Beacham that are textured in emotions and nuances.
So I think it is time to take a fresh look at a film that was misunderstood from the start.
Won't be to everyone's tastes, but for the fans of McShane, McDowell or Gardner, for those interested in lore (for those that even like Austin Powers movies...lol) take a walk in the 60's wildside....or for those just wishing to see a Carnaby Street Time Capsule!!!