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	Trail of the Lonesome Pine Sylvia Sidney, Fred MacMurray Universal Studios, 1998 average customer review:based on 8 reviews view larger image
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highly recommended

This was Hollywood's fifth version of John William Fox's novel about a long-running Appalachian feud and its interruption by modernity in the form of a mining engineer (Fred MacMurray). The very young MacMurray, Henry Fonda (the scrappingest of the Tolliver clan), and Sylvia Sidney (as the cousin he loves) form an appealing romantic triangle, while elders Beulah Bondi and Fred Stone (the Tollivers) and Robert Barrat (patriarch of the rival Falins) nurse generations' worth of sorrows. Nigel Bruce is droll as MacMurray's colleague, Spanky McFarland represents the Great Smokies chapter of the Little Rascals, and hillbilly Greek chorus Fuzzy Knight gets to sing two peerless ballads, "Twilight on the Trail" and "Melody from the Sky." And if that eldest Falin boy seems familiar, add 20 years and a war bonnet and you've got The Searchers' Chief Scar, Henry Brandon (here Henry Kleinbach). --Richard T. Jameson

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Please Put On DVD!!!!!!1

Please put this great early technicolor film classic in DVD so that humble people such as myself can afford it. Thanks!!!


Enjoyed

This was a gift for someone who never asks for anything. I knew just where to find it. This movie has been watched over and over since it has been received. It was an old favorite long ago and loved once again.


A TECHNICOLOR MILESTONE.

Fred MacMurray plays a city stranger getting caught up in the lives of a primitive Kentucky mountain family and their feud with a neighbouring clan. Sylvia Sidney is good as the girl he tries to educate and comes to love and Hank Fonda scores as the disapproving brother who is killed befored the feud is settled. Beulah Bondi is terrific as usual as is Fuzzy Knight in this saga filmed in the full-hue great outdoors. Paramount ventured away from black and white features for the first time since 1930 with THE TRAIL OF THE LONESOME PINE. The studio had been waiting for an improved 3-colour Technicolor to be perfected, and the new process enhanced the Walter Wanger production's appeal immensely, both on the screen and at the box-office. This was the third filming of John Fox, Jr.'s novel, and the best: the 1916 and 1923 versions had nothing to compare with the pictorial scope and cast strength of the modernised screenplay, written by Grover Jones, Harvey Thew and Horace McCoy. Henry Hathaway directed with a straighforward drive.

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Excellent all around

I got this movie because I'm a huge fan of Sylvia Sidney, and as always she's brilliant. The outdoor scenes are beautiful to behold, and it always makes me wonder why they didn't shoot more in color back then after it was invented. They had the technology, so why the heck didn't they do it more often ?. Don't get me wrong, I love b/w films, but it would've been nice to see more movies shot in color. -Take good old Nigel Bruce, this could very well be his only color film, although I'm not sure on that. The only thing that is a little annoying, is the constant singing of a pretty awful song, which seem more than a bit out of place. (-I understand it was even nominated for an Oscar !.) Sidney's character's quick rise to success in the big city is also a little strange and sudden, we don't get the feeling she's been gone very long. Other than that I liked it. All Fonda and Sidney fans should have this movie, and I'm sure they already do.

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It's a Good Idea to Steer Clear of the Hillfolk

Just finished watching "The Trail of the Lonesome Pine" and I have rather mixed feelings about it. I can't say I liked it; in fact, I'm pretty sure I didn't. However, the technicolor treatment is wonderful--the film looks very fresh, and it is only when you see how young Henry Fonda and Fred MacMurray are that you know this is in fact quite an old movie. I didn't care for Sylivia Sydney's role as the daughter of one feud family who takes a liking to railway engineer MacMurray even though she's sort of engaged to her cousin, Fonda (such consanguinuity doesn't bode well for the next generation, I'm afraid). All the trouble in the film stems from her actions, but no one in the movie seems to notice that. I would have much preferred if someone would have at least yelled at her for that, but no. So in that way, she reminded me of Maria in "West Side Story", who got the bright idea to send Tony to stop that rumble, where he just happened to kill her brother--oops. There's a scene when Sylvia demands that MacMurray kill some of the opposing clan in retribution for a recent murder. Rather than just stand there with no reaction, this ought to have been an epiphany for MacMurray's character, where he realizes that she is just like everyone else in her clan, blood thirsty. It is worth seeing that technicolor wilderness, but maybe pass on the story.

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reviews: page 1, 2

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