A People's History of American Empire | Howard Zinn, Mike Konopacki, ...

A People's History of American Empire | Howard Zinn, Mike Konopacki, ... | Brilliant! The truth must be known!

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A People's History...

	A People's History of American Empire Howard Zinn, Mike Konopacki, ... Metropolitan Books, 2008 - 288 pages average customer review:based on 2 reviews view larger image
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Adapted from the bestselling grassroots history of the United States, the story of America in the world, told in comics form Since its landmark publication in 1980, A People’s History of the United States has had six new editions, sold more than 1.7 million copies, become required classroom reading throughout the country, and been turned into an acclaimed play. More than a successful book, A People’s History triggered a revolution in the way history is told, displacing the official versions with their emphasis on great men in high places to chronicle events as they were lived, from the bottom up.

Now Howard Zinn, historian Paul Buhle, and cartoonist Mike Konopacki have collaborated to retell, in vibrant comics form, a most immediate and relevant chapter of A People’s History: the centuries-long story of America’s actions in the world. Narrated by Zinn, this version opens with the events of 9/11 and then jumps back to explore the cycles of U.S. expansionism from Wounded Knee to Iraq, stopping along the way at World War I, Central America, Vietnam, and the Iranian revolution. The book also follows the story of Zinn, the son of poor Jewish immigrants, from his childhood in the Brooklyn slums to his role as one of America’s leading historians.

Shifting from world-shattering events to one family’s small revolutions, A People’s History of American Empire presents the classic ground-level history of America in a dazzling new form.

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Propagating truth

The word "propaganda" has an almost universally negative connotation. Whenever we use it, we generally mean to refer to systematic and deliberate misinformation. But it's worth remembering that the word is etymologically derived from the same root as the word "propagate," to increase or grow. Propaganda, as the word was originally used, is simply a means of spreading the news, of getting the word out to large numbers of people, of disseminating information that needs to be disseminated.

It's in this original sense of the word that A People's History of American Empire is propaganda. Using the medium of the comix or graphic novel, Howard Zinn, Mike Konopacki, and Paul Buhle get the word out about a side of U.S. history that almost never gets taught in public schools, and about which many Americans even today remain clueless. Their treatment is entertaining and accessible--which means that it has a potentially huge audience--but neither patronizing nor simplistic--the book contains an extensive bibliography, and references both graphics and narrative claims. It's ideal for folks who have neither the time nor inclination to read Zinn's bulky classic A People's History of the United States, from which much of the volume is mined.

The format is ingenious. Zinn (wonderfully drawn, by the way) is the up-close narrator of the book. He begins by expressing bewilderment that the U.S. response to 9/11 has followed the same old violent pattern that the U.S. (and, of course, not only the U.S.) has typically adopted when threatened. This response, Zinn argues, ultimately only makes matters worse because it does nothing to get to the root causes of unrest. It is "an old way of thinking," one that tragically keeps following the same destructive script, and Zinn proceeds throughout the rest of the book to chronicle its many historical manifestations, ranging from the Wounded Knee massacre to the invasion of Cuba, Hawaii, the Philippines, and Central American nations such as El Salvador and Nicaragua (according to a list published by the State Department in 1962, the U.S. militarily intervened 103 times in foreign countries between 1798 and 1895). Zinn also discusses governmental and big business response to domestic workers' strikes (the Pullman strike and the Ludlow massacre, for example), and draws a connection between this "internal" imperialism and the "external" variety.

Of particular interest are Zinn's treatments of what he calls the "cool war," a culture and ethnic battle over black music in the 1950s, and the current Iraq War.

Another especially interesting feature of the book is its inclusion of Zinn's life story (derived from his autobiographical You Can't Be Neutral on a Moving Train) which traces his childhood poverty (and tenderness for his parents), his radicalization, his repudiation of violence following his service in World War II, his activism at Spelman College (which led to his dismissal), and his anti-war work--including the famous peace mission to Vietnam--during the Vietnam conflict.

Although the story of the insidious partnership between state and money is shocking and even horrifying at times, Zinn ends the book on an upbeat note. There's much to be hopeful about, he insists, when one considers the extraordinary achievements of the last fifty years. Legal racial apartheid in the U.S. was ended; the Vietnam war was stopped by public protests; velvet revolutions throughout Europe and South Africa succeeded in overthrowing tyranny in relatively bloodless fashion. So "to be hopeful in bad times is not foolishly romantic," Zinn concludes. "It is based on the fact that human history is a history not only of cruelty but also of compassion, sacrifice, courage, kindness" (p. 263).

Both of those messages deserve propagation.

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Brilliant! The truth must be known!

I just picked up this book today, and I don't often just start reading a book then buy it, but this one was well worth it. A brutal expose of the injustice going on in America, and perpetuated by it. Not just an expose of the "Rich Elite" and their hold on our supposed Democracy, but all those they've hurt to make an extra dishonest dollar as if they did not have enough already.

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