Introduction by Timothy Brennan
Translated into twenty languages and published in more than fourteen Spanish editions, The Lost Steps, originally published in 1953, is Alejo Carpentier's most heralded novel.
A composer, fleeing an empty existence in New York City, takes a journey with his mistress to one of the few remaining areas of the world not yet touched by civilization-the upper reaches of a great South American river. The Lost Steps describes his search, his adventures, and the remarkable decision he makes in a village that seems to be truly outside history.
"An erudite yet absorbing adventure story. . . A book full of riches-stylistic, sensory, visual." New York Times Book Review
"The greatest novel to have appeared in Latin America in our time." Le Figaro Littéraire
"Extraordinary." The New Yorker
Perhaps Cuba's most important intellectual figure of the twentieth century, Alejo Carpentier (1904-1980) was a novelist, a classically trained pianist and musicologist, a producer of avant-garde radio programming, and an influential theorist of politics and literature. Best known for his novels, Carpentier also collaborated with such luminaries as Igor Stravinsky, Darius Milhaud, Georges Bataille, and Antonin Artaud. Born in Havana, he lived for many years in France and Venezuela but returned to Cuba after the 1959 revolution.
Our hero & narrator dreamed when young of becoming a great musician, but has long since sold himself out just for the sake of earning a living. He rarely sees his wife, an actress, because they both have busy schedules that seldom coincide. One day a fated encounter with a museum curator he knew in his youth leads him to a mission into the jungle to find and bring back the most primitive of musical instruments and to gain anthropological insights on the origins of music. The musician, who begins the trip with his mistress, ends up on his own cut off from civilization. In the jungle he at last able to find an inner peace and happiness, he finds a new woman, regains his health & vigor and at last is able to release the musical score he has always known was inside him. By the time his wife has a plane sent in as a publicity stunt to rescue him, he does not want to return.
This novel is deeply philosophical, in the end our musician can no longer find a place in either world, and the message is we can't go back, also theories about early humans which have been arrived at only by studying archaeological artifacts can only be flawed, to quote "New worlds had to be lived before they could be analyzed".
