An Episode in the Life of a Landscape Painter (New Directions Paperbook) | Cesar Aira

An Episode in the Life of a Landscape Painter (New Directions Paperbook) | Cesar Aira | Episode of Life

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An Episode in the ...

	An Episode in the Life of a Landscape Painter (New Directions Paperbook) Cesar Aira New Directions, 2006 - 120 pages average customer review:based on 4 reviews view larger image
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An astounding novel from Argentina that is a meditation on the beautiful and the grotesque in nature, the art of landscape painting, and one experience in a man's life that became a lightning rod for inspiration.

An Episode in the Life of a Landscape Painter is the story of a moment in the life of the German artist Johan Moritz Rugendas (1802-1858). Greatly admired as a master landscape painter, he was advised by Alexander von Humboldt to travel West from Europe to record the spectacular landscapes of Chile, Argentina, and Mexico. Rugendas did in fact become one of the best of the nineteenth-century European painters to venture into Latin America. However this is not a biography of Rugendas. This work of fiction weaves an almost surreal history around the secret objective behind Rugendas' trips to America: to visit Argentina in order to achieve in art the "physiognomic totality" of von Humboldt's scientific vision of the whole. Rugendas is convinced that only in the mysterious vastness of the immense plains will he find true inspiration. A brief and dramatic visit to Mendosa gives him the chance to fulfill his dream. From there he travels straight out onto the pampas, praying for that impossible moment, which would come only at an immense price?an almost monstrously exorbitant price?that would ultimately challenge his drawing and force him to create a new way of making art. A strange episode that he could not avoid absorbing savagely into his own body interrupts the trip and irreversibly and explosively marks him for life.

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A Bold, Exciting Author from Argentina now in English Translations

César Aira, known to this reader first as a contributor to the commentary in the book 'ARGENTINA: THE GREAT ESTANCIAS', is surfacing in this country as a brilliant new voice in literature. Long famous in his native Argentina, his works are becoming available in English, in the case of AN EPISODE IN THE LIFE OF A LANDSCAPE PAINTER, through the fine translation by Chris Andrews. Aira is a writer of style, wit, immensely gifted descriptive prose, and a mind that pays homage to magical realism without mimicking it. He is an original!

In this short novel Aira blends history with fiction in his recounting the adventures of Johann Moritz Rugendas, a gifted draughtsman and painter who is making his second visit to South America to paint the landscapes of Chile and Argentina from 1831 to 1847. Trained and influenced by the German naturalist Alexander von Humboldt, whose scientific vision of 'physiognomic totality' (definition of physiognomy:'a theory based upon the idea that the study and judgment of a person's outer appearance, primarily the face, may give insights into their character or personality. The term physiognomy is also used to refer to the general appearance of a person, object, or terrain, without reference to its underlying or scientific characteristics') Aria wished to apply to painting. Rugendas is accompanied by a fellow German Robert Krause, a man whose paintings by Rugendas' standards were poor but whose demeanor made him the perfect friend and traveling companion. Together the travel through the Andes, longing for adventure such as Indian raids to paint, and eventually wander into the pampas of Argentina where they encounter life altering experiences: Rugendas is struck twice by lightning and dragged by his terrified horse, an accident which peels the skin from his face leaving him severely disfigured - but undaunted. The remainder of the 'episode' relates how Rugendas, now requiring massive doses of morphine to control his pain, encounters Indian raids that he and Krause sketch and paint.

In Aira's words 'An artist always learns something from the practice of his art, even in the most constraining circumstances, and in this case Rugendas discovered an aspect of the physiognomic procedure that had so far escaped his notice. Namely that it was based on repetition: fragments were reproduced identically, barely changing their location in the picture...the fragment's outline could be affected by perspective. As small and as large as the Taoist dragon....Repetitions: in other words, the history of art.' And just as Aira is able to address cerebral issues such as this and incorporate them into his character's mold, he is also able to write some of the most comical prose encountered in literature today. Aira's spectrum of writing skill, even in this small volume, is amazing. He is at once able to entertain with wildly inventive storylines while enhancing the reader's knowledge and wrapping it all in balanced comedic and dramatic terms. The next novel to be translated is HOW I BECAME A NUN - and we can only hope that the rest of his output is made available to us soon. Highly recommended author, highly recommended book! Grady Harp, June 07

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Episode of Life

Recently a friend of mine went to Buenas Aires and returned with this short novel. I'd been doing a little study on Monet lately and this title caught my eye. What an amazing writer this Aira is. Of cours his writing is in Spanish but this English translation I beleive fully capture the fullness of thought process. It is a story without chapter breakdown and yet,though full of eclectic content, it flows like a memoir related story. I'm taking up a research of the characters in this story as well as the technical terms because it was so intriquing, historically and artistically.

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Stupendous short novel

This is a stupendous novel, a real achievement in a very brief compass. Aira is a strange and somewhat scattered novelist -- I am not sure if he has control over his forms, and sometimes, as in "How I Became a Nun," he seems to want to relinquish control -- but his pace, his wit, his descriptions, and even his philosophic asides are tremendous. He is genuinely surprising. It's not just the plot twists that took me by surprise, it was individual descriptions and sudden parenthetical comments.

An aside on philosophic asides. This book is full of them, but none are over 1/2 page long. they aren't laboriously planned and unfurled with trumpet fanfares, like some of Milan Kundera's. They aren't faux-philosophy -- dogmas and cliches masquerading as paradoxes and profundities, as in Cees Nooteboom or Javier Marias. And Aira's philosophic asides aren't arch, ironic, and elliptical, as in Umberto Eco. When Aira wants to say something about representation, reality, expression, or communication, he does so brilliantly and quickly.

As an art historian, I wouldn't recommend this for understanding nineteenth-century painting, although there is some good material on Humboldt's theories of nature. No: it's fiction, and very inventive, odd, and unpredictable. If Aira can discipline himself the way Pynchon did to write "Gravity's Rainbow," he will be one of the principal novelists of the next few decades.

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A Tiny Masterpiece

Nothing more has to be said. This book is a small miracle and should be better known by English-speaking readers. I won't get into what the book is 'about' onlt to say it is a fictionalized account of a real person, and with this fiction comes an excuisite story.

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