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Bogart | A. M. Sperber, Eric Lax | A Definitive Biography
 
 


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 Bogart  

Bogart
A. M. Sperber, Eric Lax

William Morrow & Co, 1997 - 676 pages

average customer review:based on 13 reviews
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     highly recommended  highly recommended



He was a top box-office draw in his day, an Oscar-winning actor, a principled man of rare conviction, and -- long after his death -- a cult figure revered by moviegoers who weren't even born while he was making his movies. But over the years, Humphrey Bogart has remained an enigma, despite what we have learned of him from wife Lauren Bacall's own fond memories and from the various biographies that have appeared over the years since his death in 1957.

With Bogart, this wonderful enigma is brought under the light as never before. Although authors Ann M. Sperber and Eric Lax never met, Bogart is a unique collaboration, combining the strengths of two prize-winning biographers. Sperber, the author of the New York Times best-selling Pulitzer-Prize finalist Murrow: His Life and Times (1986), spent seven years before her death in 1994 amassing a vast archive of original research on the life and times of Humphrey Bogart, including more than 200 interviews she conducted with people who had known and worked with him, including Katharine Hepburn and John Huston. Eric Lax, whose Woody Allen was a national bestseller in 1991, took over the project after Sperber's death and spent two years completing it. The result is the definitive portrait of the actor who merged his screen anti-heroism with his own staunch personal integrity in a manner new to Hollywood, fashioning a persona as timely today, forty years after his death, as it was during his own life.


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EXCELLENT - TOOK YEARS OF WORK BY TWO PEOPLE.

No question, by the time you finish this book, you are whirling with knowledge of Humphrey Bogart, whom no one can ever really know because he was so complex with a mixture of his shadow and light side that it seems he was the most confused of all about himself. One thing is certain: He had a great, great talent, and his films are as much loved today as when he was in his prime.

Several things are left out of the book, and I wonder why. One is the fact that Mr. Lax states that Bogart's sister was a great financial responsibility for him as she was in a private sanitarium for mental illness. In 1955 Frances Bogart Rose was a patient in the Metropolitan State Hospital (for the mentally ill) at Norwalk, California. She was allowed occasional visits to the Bogart home, but her return was always a concern because of the heavy drinking at Bogart's home and its effects on her. Perhaps it was at an earlier time that she was in a private sanitarium, but Mr. Lax gives the reader the impression it was for life. Since Bogart, who died in 1957, left her no bequest in his will (in spite of leaving small bequests to the household cook and his secretary), one can assume he knew she in some way would be cared for during her lifetime

Another issue not covered is Bogart's involvement with women during his mariage to Bacall, which even Bacall speaks of in her autobiography, stating she did not find out about some of the women until after Bogart's death (perhaps the best documented claim is about the young lady who cut his children's hair, a total opposite from Ms. Bacall). Yet the author points out Ms. Bacall's attractions (and in the case of Adlai Stevenson, she obviously had fallen in love). As Bacall states in her book, she did not have an actual affair because she knew that Bogart would leave her if she did. This is not to say they did not love each other deeply. Perhaps if she had not rejected another great love of his life, his yaught and sailing, and snooted the crew, preferring instead to attend Hollywood parties, the time and experiences they could have shared there would have resulted in a more close-knit bond. On the other hand, she was only twenty when she married him, and the fact that she lived with such a complex and difficult man until his death says something for her.

This book packs you with a wallop because it is so well written, very well researched and documented, the photos are great. Remember, he was an extremely heavy drinker and all his activities were lived under a cloud of alcohol or the affects of alcohol, even his greatest preformances. A gentleman and a boor. crude and erudite. kind and cruel. But talented, talented, talented!


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A Definitive Biography

Bogart is the definitive biography of Humphrey Bogart. A. M. Sperber, who also wrote a marvelous book about Edward R. Murrow, has done painstaking research that included over 200 interviews. I have previously read the short biography of Bogart by Joe Hyams and Lauren Bacall's autobiography, which helped to gauge some of the information in this book. A. M. Sperber died before she could complete this book so it was completed by Eric Lax.

This is the kind of book that is difficult to put down; a well written book that moves along giving a non-judgmental view of its famous subject. What I came away with was a much broader portrait of Humphrey Bogart and the realization of how unhappy he was. An interesting revelation was that despite his success as an actor there was some regret that he not become a writer. An aspect of Bogart's life that I wish was better covered was his personal likes and dislikes. As in Lauren Bacall's autobiography, this book revealed that he was very fond of Bach and Debussy and the music of both composers was played at his funeral. This was certainly different from his tough guy image! So, although I learned a great deal about his battles with Jack Warner and Mayo and his passionate defense of the First Amendment, it is a portrait lacking a spark of life.

The book goes into detail about his childhood and his parents, who were both drug addicts and near alcoholics. As the book progresses, one can vividly see how his parents affected Humphrey Bogart's personality, making him introverted but also instilling in him the qualities of a gentleman and the Victorian ideal of doing what must be done. The book presents a balanced viewpoint of Bogart's good and bad traits, including his belligerent needling that he seems to make a change in this character during the 1950's.

One minor item that I found to be incorrect was the report in the book that the Bogart dog Harvey had to be put to sleep. Lauren Bacall said in her autobiography that Harvey died at the veterinarian's office shortly after she visited him of a heart attack. Otherwise, this is an impressive book that anyone who has an interest in Humphrey Bogart will want to read.



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Best bio out there

Please note that since the English version of this book didn't appear on Amazon when I searched for it, I'm posting it here under the Spanish version.

It's surprising that it took forty years after his death for a definitive bio to appear on Bogart. The author did over 200 interviews, read his secret FBI file (which was now available under the Freedom of Information Act), and talked to many friends, coworkers, and relatives. The book by his son Stephen was more of a personal memoir growing up with Bogart rather than a true biography, and the earlier one by Hyams, although good, was brief.

Well written, well documented and researched, and very enjoyable to read, this is one of the best biographies I've read. It provides many insights into bogart both as the actor and as the man, and he comes off as quite different from his tough guy image. Bogart was actually a very educated, well read, and refined individual who liked Debussy and Bach, was generous with his money, and was helpful and encouraging to coworkers.

The section on the making of the The Maltese Falcon was typical of the fascinating things one learns from this book. The filming was chaotic, the main problem being the lack of a script. Key actors were delayed because of long contract negotiations, and the ones that were there (such as Peter Lorre and Sydney Greenstreet), often sat around and had nothing to do for days. And Lorre and Greenstreet's contracts required that they get paid $3000 to $4000 a week whether they got used or not.

Here too, Bogart shows his true stripes, different from his devil may care, tough guy stereotype. Despite all the chaos during the shooting, when many people were becoming irritable and losing their tempers, Bogart never did, remaining professional and calm throughout the stressful shooting of the movie. A young actress was extremely nervous about her upcoming part, and Bogart noticed her distress and worked with her on her portion of the script until she felt confident she could do it.

Although the newspapers wanted to imply romantic affairs with his female leads, especially Ingrid Bergmann during the shooting of Casablanca; in fact Bogart was completely faithful and never engaged in such dalliances. When he finally did fall for a coworker, it was Bacall, and that marriage lasted the rest of his life.

There is also a lot of information on Bogart's interrogation by the early House Un-American activities director at the time, a man by the name of Dies, where Bogart successfully defended himself and the director left town, having gotten nothing useful from Bogart. There was nothing to get anyway, all the allegations having been false. Interestingly, the house committee was originally formed to investigate ultra-conservative elements, but its focus soon turned elsewhere.

Overall, this is an excellent biography of Bogart and one that should appeal to his many fans or anyone curious to learn more about this famous Hollywood legend who turns out to have been very different from his pandered image.


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Seen the Movies? Meet the Man.


The definitive bio of one of Filmdom's Gods.

You will learn alot about the man as actor, and human being, and about Hollywood in the Golden Age here.

Fantastic!


Well documented Bogart bio

Several years ago, the American Film Institute, Entertainment Weekly, and Premiere magazine all named Humphrey Bogart the greatest film star of all time, a selection few film buffs would argue with. Like John Wayne and Cary Grant, Bogart was larger than life, yet, unlike them, he was also down in the dirt with the rest of us. An average guy in many ways, the characters he played beat the odds, but only after enormous effort and struggle.

A.M. Sperber's generally excellent biography shows that Bogart the icon and Bogart the man shared many similar traits. Though the son of a wealthy doctor and his artist wife, there was a dark side to Bogart's outwardly pampered life. His mother was distant, his father was addicted to morphine, and the young boy and his sisters, one of whom suffered from mental illness, were abused by the servants. Bogart was an academic failure with little hope for success until distinguishing himself on Broadway with his classic portrayal of Duke Mantee in "The Petrified Forest."

But even when Hollywood beckoned, life didn't get easier for the insecure actor. While James Cagney, George Raft, Paul Muni, and Edward G. Robinson were "stars" who got the best roles Warner Bros. had to offer, Bogart was taken for granted, a mere contract player who played supporting roles in the important projects, and spent years buried in a series of undistinguished B flicks churned out on the Hollywood assembly line. Well paid, especially by Depression era standards, he nonetheless struggled to support his ailing sisters and to pay off his late father's debts.

Today, it's hard to believe his employers took so long to recognize the charisma and talent that Bogart would bring to "High Sierra" and "The Maltese Falcon," both of which were intended for that great non-entity George Raft. "Casablanca," of course, made Bogart the biggest star on the Warner lot, and Sperber shoots down the myth that both Raft and Ronald Reagan were initially considered for the role of Hollywood's ultimate romantic hero. For once, a role was tailor-made for Bogart, and the legend was born.

Bogart's early life isn't covered as thoroughly as hoped, but that's not a surprise since most of those who could provide insight into the future superstar had died long before Sperber began her book. But the career is well documented, and the man behind the myth emerges as a flesh and blood figure, a fiercely intelligent and generally admirable one, on every page.

Brian W. Fairbanks


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reviews: page 1, 2, 3



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