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Wild Nights!: Stories About the Last Days of Poe, Dickinson, Twain, James, and Hemingway | Joyce Carol Oates | Excellent
 
 


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 Wild Nights!: Stor...  

Wild Nights!: Stories About the Last Days of Poe, Dickinson, Twain, James, and Hemingway
Joyce Carol Oates

Ecco, 2008 - 256 pages

average customer review:based on 9 reviews
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     highly recommended  highly recommended



Edgar Allan Poe, Emily Dickinson, Samuel Clemens ("Mark Twain"), Henry James, Ernest Hemingway?Joyce Carol Oates evokes each of these American literary icons in her newest work of prose fiction, poignantly and audaciously reinventing the climactic events of their lives. In subtly nuanced language suggestive of each of these writers, Oates explores the mysterious regions of the unknowable self that is "genius"?for Edgar Allan Poe, a belated encounter with bizarre life?forms utterly alien to the poet's exalted Romantic aesthetics; for Emily Dickinson, resurrected in the twenty-first century in a "distilled" state, a belated encounter with blundering humanity and brute passion of a kind excluded from the poet's verse; for the elderly, renowned Samuel Clemens, a belated encounter with impassioned innocence, in the form of "the little girl who loves you"; for Henry James, an aging volunteer in a London hospital during World War I, a belated encounter with the physicality of desire and the raw yearning of love long absent from the master's fiction; and, for Ernest Hemingway, the most tragic of these figures, a belated encounter with the "profound mysteries of the world outside him, and the profound mysteries of the world inside him."

Wild Nights! is Joyce Carol Oates's most original and haunting work of the imagination, a writer's memoirist work in the form of fiction.




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Joyce Carol Oates' Tour De Force

In a recent phone conversation I had with a friend, she informed me that she had just finished Joyce Carol Oates' latest book. I replied that I had heard her read from it at an event in Atlanta not long ago. She asked: "What short story did she read from?" I find out then that THE GRAVEDIGGER'S DAUGHTER is not Ms. Oates' latest and have learned since then that WILD NIGHTS will be followed by a new novel to be published in June, MY SISTER, MY LOVE: THE INTIMATE STORY OF SKYLER RAMPIKE. She is nothing is not prolific. This collection of short stories is Ms. Oates' twenty-second book of short stories according to the list in the front of her latest. The publisher does not even bother to list novels, nonfiction, etc.

Ms. Oates has chosen five of America's best writers, Edgar Allan Poe, Emily Dickinson, Mark Twain, Henry James and Ernest Hemingway, to include in WILD NIGHTS (the title comes from an Emily Dickison poem). I would love to know how she selected these five and wonder what she would do with the "last days" of Nathaniel Hawthorne, William Faulkner and Anne Sexton, for instance. Historical fiction-- if that's the word for it-- is not new to Oates. Her BLONDE, the fictional account of the tragic life and death of Marilyn Monroe is astonishing for how good it is and one of my favorite ten novels by an American writer.

Since it has been years since I have read either Poe or Twain, I cannot say as to whether Ms. Oates mimics the writing styles of those two writers-- I suspect she does-- although she certainly captures the horror of Poe's descent into madness reminiscent of his short stories. In what has to be the most macabre of any of the tales, "EDickinsonRepliLuxe," the poet comes alive in all her enigmatic reclusiveness. Ms. Oates is pitch perfect with the language in her stories about James and Hemingway from the former's dense, complex-worded prose to the latter's famous, often-copied terse, short unadorned sentences. Hemingway in his last days is the man we have come to think of, a chauvinist, in impotent depression, obsessed with guns and his reputation as the "greatest writer of his generation." His once womanizing good looks replaced by thinning, white hair. His definition of a wife cannot be written about in a g rated review. Clemens is old, tired of performing as Mark Twain, afraid that his writing muse has left him, is in perpetual grieving over the deaths of his wife and daughter and obsessed with young girls. In James, however, we see a loving, sympathetic side not usually associated with him as he volunteers at St. Bartholomew's Hospital in London in World War I. James is chagrined that there are no odors "of human waste, gangrenous flesh" or "no names for such things" in either his novels or those his companions wrote. "In all of the Master's prose, not one bedpan." At first reticent to read to the wounded soldiers Walt Whitman's "more robust yet controversial verse, preferring Tennyson, Browning and Housman, James eventually comes to read Whitman aloud to the men, finding his work both "thrilling" and "suggestive."

Finally "EDickinsonRepliLuxe" rivals the chilling awfulness of Kazuo Ishiguro's brilliant novel NEVER LET ME GO. The Krims, a couple married for nineteen years who now sleep in double beds, select a RepliLuxe, a life-like, almost life-sized replica of Emily Dickinson to bring new life to their sad existence. "There is an hour when you realize: here is what you have been given. More than this, you won't receive. And what this is, what your life has come to, will be taken from you. In time." What follows is a story like nothing else you will read.

In a recent interview Ms. Oates said that all these stories are about "wild nights - inchoate longings." I would add that each of these characters, although totally different, is terribly lonely. Surely no living writer writes so much so well and never repeats herself. Ms. Oates is one of our best.


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Excellent

"Poe Posthumous; or The Light-House". Off Chile a lonely morose Poe kept a dairy while tending a lighthouse as its keeper even though he died a few months ago.

"EDickinsonRepliLuxe". In futuristic New Jersey, the mouse and the louse Krim couple buy an android of Emily Dickinson expecting poetry to brighten their lives, but instead the author finds them tedious and wants her freedom.

"Grandpa Clemens & Angelfish 1906". The famous author is being sued for his platonic relationships with teenage girls while his outraged adult daughter plans to testify against her father.

"The Master at St. Bartholomew's Hospital 1914-1916". Henry James does not want to enter the hospital ward filled wounded soldiers, but has no choice as he volunteered to help these "dear boys".

"Papa at Ketchum 1961". Hemingway is planning his last word, suicide.

The concept is brilliant and the execution superb as each tale provides insight into five of America's most famous authors. All her well written although the Clemens piece is by far the most disturbing and the Poe entry perhaps the weakest (still enjoyable). Fans of the American classics will relish this fine anthology as Joyce carol Oates proves a fabulous impersonator who emulates the writing styles of five of the greats.

Harriet Klausner



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Life and death and life

This compelling new novel by Joyce Carol Oates may be her best. Lives stretched on by days and degree, Oates portrays five great American writers as heroes, rather than victims of their own collective demise. I was contemplating a favorite chapter but found myself coming up short. They're all good. Really good.

Poe and Hemingway seek a certain sort of attractive solitude, Dickinson is pumped full of oxygen, James, ever-needy, finds a way to fulfill his desires while Twain attains a new conquest of the sort we might expect. This is a wonderful book and Oates has captured each writer magnificently. I highly recommend "Wild Nights" for it is just that... a lasting look at what might have been.


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Superb writer

Reading one of her novels is - according to one critic "...like becoming a peeping tom, staring without guilt into the bright living rooms and dark hearts of America". An exciting book set against the backdrop of Niagara Falls, where she grew up. The author deals with the desecration of natural beauty, in one case a violent gang rape witnessed by the victim's daughter, in the other industrial pollution. Read this book! You will enjoy it!!!


Oates at her virtuosic best!

In these five stories, Oates imagines the final days of five iconic American writers: Edgar Allan Poe, Emily Dickinson, Mark Twain, Henry James, and Ernest Hemingway. Each of these is both an homage to the writer, and an often ironic look at his or her work. The Poe story, for example, was suggested by a one-page draft Poe left behind at his death, and the result is certainly something we might imagine Poe writing. Similarly, the Hemingway story has the cadence and repetition of his prose. The Twain finds the old man fixated on young girls, and dealing with the consequences of that fixation. But my favorites are the Dickinson and James stories. "EDickinson RepliLuxe" finds the poet turned into a reduced scale robot and adopted by an unhappily married couple, while the James story (the most genuinely moving of the five) finds the aging writer working as a hospital volunteer in London during World War One, falling in love with his handsome yet horribly injured patients. This collection is further demonstration of what a genuinely brilliant writer Oates is: well worth reading!


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reviews: page 1, 2



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