book: Three Early Modern Utopias: Thomas More: Utopia / Francis Bacon: New Atlantis / Henry Neville: The Isle of ... | Thomas More, Francis Bacon, ...
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Three Early Modern...
Three Early Modern Utopias: Thomas More: Utopia / Francis Bacon: New Atlantis / Henry Neville: The Isle of ...
Thomas More
,
Francis Bacon
, ...
Oxford University Press, USA
, 2000 - 320 pages
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With the publication of
Utopia
(1516),
Thomas
More
provided a scathing analysis of the shortcomings of his own society, a realistic suggestion for an alternative mode of social organization, and a satire on unrealistic idealism. Enormously influential, it remains a challenging as well as a playful text. This edition reprints Ralph Robinson's 1556 translation from More's original Latin together with letters and illustrations that accompanied
early
editions of Utopia.
This edition also includes two other, hitherto less accessible, utopian narratives.
New
Atlantis
(1627) offers a fictional illustration of
Francis
Bacon
's visionary ideal of the role that science should play in the
modern
society.
Henry
Neville
's The
Isle
of
Pines
(1668), a precursor of Defoe's Robinson Crusoe, engages with some of the sexual, racial, and colonialist anxieties of the end of the early modern period. Bringing together these
three
New
World
texts, and situating them in a wider Renaissance context, this edition--which includes letters, maps, and alphabets that accompanied early editions--illustrates the diversity of the early modern utopian imagination, as well as the different purposes to which it could be put.
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Prose which still affects our thinking
Literature before James Joyce, before Jane Austen, before Daniel Defoe: No Ulysses, no Emma, no Robinson Crusoe - for
modern
readers it is hard to imagine a stock of English literature without the existence of these and other important writers and their `novels'. What kind of literature could one refer to in a pre-novelistic age? As a matter of fact, there were authors, such as Sir
Thomas
More
and Sir
Francis
Bacon
, who wrote prose which, indeed, still affects our thinking. However, neither More nor Bacon used English, but chose Latin as their original means of expression. For what reasons? And none of these authors was in fact a free-lance writer - they were all occupied in public and political spheres. What made them actually write fictional works? How does their fiction relate to their cultural environment - or, what was regarded as `fiction'? These texts cover a century of political, religious, scientific and literary debates and gave rise to a
new
understanding of knowledge, and introduced influential literary devices.
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