The Captive & The Fugitive: In Search of Lost Time, Vol. V (Modern Library Classics)

The Captive & The Fugitive: In Search of Lost Time, Vol. V (Modern Library Classics) | Marcel Proust | What sex is Albertine?

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The Captive & The ...

	The Captive & The Fugitive: In Search of Lost Time, Vol. V (Modern Library Classics) Marcel Proust Modern Library, 1999 - 992 pages average customer review:based on 8 reviews view larger image
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highly recommended

The Modern Library?s fifth volume of In Search of Lost Time contains both The Captive (1923) and The Fugitive (1925). In The Captive, Proust?s narrator describes living in his mother?s Paris apartment with his lover, Albertine, and subsequently falling out of love with her. In The Fugitive, the narrator loses Albertine forever. Rich with irony, The Captive and The Fugitive inspire meditations on desire, sexual love, music, and the art of introspection.

For this authoritative English-language edition, D. J. Enright has revised the late Terence Kilmartin?s acclaimed reworking of C. K. Scott Moncrieff?s translation to take into account the new definitive French editions of Á la recherché du temps perdu (the final volume of these new editions was published by the Bibliothèque de la Pléiade in 1989).

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The Prisoner / The Fugitive

This is volume five of the superlative new translation of "In Search of Lost Time," containing the two books of the Albertine cycle, which are now titled "The Prisoner" (translated by Carol Clark) and "The Fugitive" (tr. Peter Collier). Though I haven't yet read their translations, I have found the new editions to be a wonderful improvement over those done in the 1920s by Charles Scott Moncrieff. So I have no hesitation in giving them five stars.

Unhappily for American readers, current U.S. copyright law prevents Viking/Penguin from publishing the last two volumes of "Lost Time" in this country until 95 years after Proust's death, or 2018. The first four volumes have been published here in handsome hardcovers (more handsome than the British edition), but the only way to obtain this and the final volume ("Finding Time Again") is to find an imported British hardcover or paperback. -- Dan Ford

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What sex is Albertine?

The Albertine episodes make more sense if we assume this is a homosexual ralationship. Albertine's independence, and her being allowed to live in a young man's apartment, and other aspects of her social life do not seem likely for a young woman in the nineteen hundreds. Marcel's (and incidentally this is the only volume where he refers to himself as Marcel) suspicions then become the gay lover's fears that his lover prefers heterosexuality. Albertine is the only female in the Recherche who never gets married.
Apart from these external clues there is quality about the the affection Marcel feels that suggests a gay rather than a straight relationship.
This volume marks a turning point in the narrator's fascination with the aristocracy. From here on disenchantment sets in, and the references to homosexuality become almost homophobic.

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Captivating masterpiece

Modern Library's Volume V deals with the relationship between Marcel and Albertine. It is a complex, psychological relationship to say the least. In the Captive, Albertine lives with Marcel in his apartment in Paris and in The Fugitive one wonders who is, in fact, more captive -- Albertine or Marcel. It would seem to be Albertine for whom Marcel possesses an obsessive love and concurrent fear of her sapphic penchant. But it is also Marcel who will sacrifice experience if he makes a commitment to her. Who is more free, the captive or the fugitive? Proust raises questions about how to serve best the artist's quest for beauty. In fact, how does one really ever "capture" the beauty of life in art or music or literature? Even in a masterpiece, is it not beauty the fugitive that usually dwells just beyond one's capture? Or like Vinteuil's septet or the music of Wagner or the painting of Rembrandt, is the best for which one can hope of fugitive beauty only a brief fleeting experience? Are the vast tracts of time spent to understand the beauty and meaning of life worth it? As a writer does he not habitually surrender life in order to capture it? Or is the pursuit of the capture of the beauty of life in fact where one realizes its most sublime value? One sees in Proust toward the end of The Fugitive a member of society who respects it but chooses by reasons of health not to position himself so visibly within it. Despite his family name and vast but dwindling fortune inherited from his beloved grandmother, he seems to become somewhat ultimately disenchanted with the intricacies of Faubourg-St. Germain society to which he devotes so much of his writing. He recognises society's shallow obsession with materialism and rampant snobbery but his own place in society is captured by its complex history and tacit rules and Marcel is inescapably a captive of his own culture. When Albertine is lost to him toward the end of the volume, as in the prior volumes, the story line's serial intrigue advances most. Characters from prior volumes reappear, reminiscent of Balzac, whom Proust adored, but like him they change,too, and usually for the worse over time. The great tapestry of the characters of Proust -- Albertine, Gilberte, Swann, Brichot, Bloch, Charlus, Morel, Saint-Loup -- ultimately surprise and usually disappoint him. As to nagging questions about Proust's own orientation, "Personally I found it absolutely immaterial from a moral standpoint whether one took one's pleasure with a man or a woman, and only too natural and human that one should take it where one could find it." I found myself wishing that Proust had written more about Bloch and Saint-Loup and Gilberte, and less about Albertine. But she was, like his work, the one obsession, the endeavor of which understanding he could never escape and never quite marry -- she was his beauty and his art. She was the breath of life itself from his pen and from his experience of life as seen through the eyes of a true genius.

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In Search of Lost Time 01 Way By Swanns

The 7th of March I found this book, ISBN:0713996048. Now it's the 12th and I've returned to buy the book,except I can't locate it on the site! What is going on? Where's the first volume in the set? I'm so frustrated by this. I waited for years for the new translation to be completed.Help me!

Beautiful

In volume five of Proust's massive and perspicacious `a la recherché,' we find the narrator Marcel, slowly, yet surely, falling out of love with Albertine. Proust is extraordinarily masterful at evoking the painful (and yet very real) feeling of gradual disaffection, which all lovers must inevitably face with each other. Marcel pontificates endlessly and relentlessly on Albertine. He loves, her (or maybe we should say him), he doesn't love her, he loves her, he doesn't love her, etc. etc. Until, finally, the moment of decision, he tells her that he does not love her and wishes her to leave, insisting that she will be happier without him. Of course, the moment Albertine departs, Marcel is in despair, he has lost has love, and Albertine is reduced to the status of the `fugitive.' This volume is one of the most beauteous and thoughtful unfolding of the loss of love, and the painful convalescence that transpires in the subsequent period. Marcel goes to Venice, and explores that wondrous and ancient European city, and he sends help to find Albertine, only to discover that she has died in a horseback accident. In addition to the tragic loss of Albertine, Marcel grows continually disenchanted with the aristocratic world to which he belongs. Proust is brilliant in his ability to sustain this massive web of characters, as he reintroduces figures from the early stages of the search, such as Gilberte (Marcel's first love), and Mme Verdurin. This book evokes the meaning of life as it unfolds temporally, and the meaning of relationships throughout the course of a lifetime, and how they change and drift in and out of focus at different stages. It is one of the great works of Western literature.

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