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Pictures at a Revolution: Five Movies and the Birth of the New Hollywood | Mark Harris | Transitions from Failure to Communicate
 
 


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Pictures at a Revolution: Five Movies and the Birth of the New Hollywood
Mark Harris

Penguin Press HC, The, 2008 - 496 pages

average customer review:based on 20 reviews
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     highly recommended  highly recommended



An epic account of how the revolution hit Hollywood, told through the stories of the five films nominated for the 1967 Academy Awards The year is 1963. The studios are churning out westerns, war movies, prudish sex comedies and overblown historical epics, but audiences whose interests have been piqued by an influx of innovative films from abroad are hungering for something more, something new. At Esquire, two young writers hatch a plan to create a movie treatment that they hope will attract the director Fran¨ois Truffaut: the story of the gangsters Bonnie Parker and Clyde Barrow. Mike Nichols, an improvisatory comedian turned neophyte theater director, gets his hands on an obscure first novel called The Graduate and wonders if he's ready to make the jump to Hollywood. Warren Beatty, just 26 years old and struggling through a series of flops after the success of Splendor in the Grass, decides to take his career into his own hands, but can't seem to settle on his next move. Dustin Hoffman, sleeping on friends' floors and scrounging for temp work in New York, struggles just to get an off-Broadway audition. Sidney Poitier, after two dozen movies, still yearns for something that seems completely unattainable: a good role. And 20th Century Fox, on the brink of financial catastrophe, puts all its hopes in a genre-the family musical-that will revitalize the company and then nearly destroy it again. Pictures at a Revolution tracks five movies-the milestones Bonnie and Clyde and The Graduate, the popular hits Guess Who's Coming To Dinner and In the Heat of the Night, and the big-budget disaster Doctor Dolittle-on their five-year journey to Oscar night in the spring of 1968. It follows their fortunes through the last days of the studio system and the first sparks of a cultural upheaval that would launch maverick new stars and directors, topple more than one industry titan from his pedestal, and redefine what American movies could be. In 1967, moviegoers witnessed the arrival of taboo-shattering sex and violence on screen, the debuts of Dustin Hoffman and Faye Dunaway, the return of Katharine Hepburn and the poignant farewell of Spencer Tracy, the audacious risks taken by Warren Beatty, Arthur Penn, Mike Nichols and Norman Jewison, and Hollywood's agonized attempt to grapple with an incendiary moment in American race relations, with results that would change Sidney Poitier's career forever. By tracing the gambles, the stumbles, the clashes and the creative partnerships that produced these films, Mark Harris captures both the twilight of old Hollywood and the dawn of a new golden age in studio filmmaking. Based on unprecedented access to the actors, directors, screenwriters, producers and executives whose movies defined the era, as well a wealth of previously unexplored archival material, Pictures at a Revolution is an utterly original, revealing, and entertaining history of a true cultural watershed.


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Fascinating History of five films at a turning point in American Cinema

I read this on my Kindle (LOVE MY KINDLE!) and it had me taking my Kindle with me everywhere as I couldn't put the book down! A very compelling read. His depth of research and current interviews with the key players is remarkable!


Transitions from Failure to Communicate

This is an insightful book about the 5 movies nominated for Best Picture Oscar of 1967: Bonnie and Clyde - Ultimate Collector's Edition, The Graduate (40th Anniversary Collector's Edition), In the Heat of the Night (40th Anniversary Collector's Edition), Guess Who's Coming to Dinner (40th Anniversary Edition), Doctor Dolittle and the times from which they sprang.

If you are a movie insider, this may be too "Old Hat" for you. But, if you were busy being part of the solution, and not part of the problem, and really relate to The Big Chill, then here are some pictures from our revolution and one from the changing of the Old School guard. (In its sheer longevity and incorporation into the cultural venacular, this reviewer mourns the non-nomination and therefore non-inclusion of Cool Hand Luke)

Harris' well-researched and footnoted view tells the tales of the making and marketing of the movies, and the politics involved, in a manner accessible for the masses. See also The Academy Awards: The Complete Unofficial History.

Along the way, we encounter the moods of Minneapolis moviegoers, a 25 year old up-and-coming Roger Ebert, and Father Andrew Greeley in a former gig as reviewer for the National Catholic Reporter.

If it's news to you that Robert Redford was originally preferred over Dustin Hoffman as Benjamin Braddock, or that Mrs. Robinson's song started life as Mrs. [Eleanor] Roosevelt, this book's for you!

/TundraVision, Amazon Reviewer


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excellent book

A tremedously detailed book, kept my interest all the way through. Defintely worth 5 stars.


Excellent

As one who turned 17 in 1967 and who vividly remembers seeing all of the films discussed here (except "Dr. Dolittle") during their first theatrical runs, I found this book completely engrossing. It is a popular-culture time-capsule of America at a difficult moment, and of the movie business at an even more difficult one, with plenty of insight into the series of accidents and near-miracles by which any movie ever actually makes it to the screen; and a reminder that Hollywood, pre-conglomerates and certainly despite itself, once provided a breeding ground for the new. Rarest of all, it is extremely well-written.


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Painstakingly researched, not painstakingly written

Mark Harris did an amazing amount of work to prepare for this book. He interviewed names big and small, read books, journals, and magazines. However, this does not translate into a book that was interesting to read. The chapters are arranged somewhat chronologically, but it's not clear. There's a ton of information in each chapter and all of the stories are interwoven together about each movie. It's difficult to follow what is going on. The book lacked a table of contents, which would have made the store much easier to follow, as would thematic chapter titles.

But with that said, it was interesting to see how Hollywood has changed over the last four decades. It was worth my time, even if it was a challenge to keep everything straight.


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reviews: page 1, 2, 3, 4



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