The Book of Lost Books: An Incomplete History of All the Great Books You'll Never Read | Stuart Kelly | Odd, but interesting, topic
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The Book of Lost B...
The Book of Lost Books: An Incomplete History of All the Great Books You'll Never Read
Stuart Kelly
Random House
, 2006 - 368 pages
average customer review:
based on 8 reviews
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highly recommended
In an age when deleted scenes from Adam Sandler movies are saved, it?s sobering to realize that some of the world?s
great
est prose and poetry has gone missing. This witty, wry, and unique new
book
rectifies that wrong. Part detective story, part
history
lesson, part exposé, The Book of
Lost
Books
is the first guide to literature?s what-ifs and
never
-weres.
In compulsively
read
able fashion, Stuart Kelly reveals details about tantalizing vanished works by the famous, the acclaimed, and the influential, from the time of cave drawings to the late twentieth century. Here are the true stories behind stories, poems, and plays that now exist only in imagination:
·Aristophanes? Heracles, the Stage Manager was one of the playwright?s several spoofs that disappeared.
·Love?s Labours Won may have been a sequel to Shakespeare?s Love?s Labours Lost?or was it just an alternative title for The Taming of the Shrew?
·Jane Austen?s
incomplete
novel Sanditon, was a critique of hypochondriacs and cures started when the author was fat
all
y ill.
·Nikolai Gogol burned the second half of Dead Souls after a religious conversion convinced him that literature was paganism.
·Some of the thousand pages of William Burroughs?s original Naked Lunch were stolen and sold on the street by Algerian street boys.
·Sylvia Plath?s widower, Ted Hughes, claimed that the 130 pages of her second novel, perhaps based on their marriage, were lost after her death.
Whether destroyed (Socrates? versions of Aesop?s Fables), misplaced (Malcolm Lowry?s Ultramarine was pinched from his publisher?s car), interrupted by the author?s death (Robert Louis Stevenson?s Weir of Hermiston), or simply never begun (Vladimir Nabokov?s Speak, America, a second volume of his memoirs), these missing links create a history of literature for a parallel world. Civilized and satirical, erudite yet accessible, The Book of Lost Books is itself a find.
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Erudite Yet Entertaining
This is an extremely erudite look at some of the
lost
works of world literature, from the ancient world down to the near present. To fully appreciate some of Stuart Kelly's observations the
read
er ought to have been immersed in the subject for a long lifetime. Obviously very few of us have had anything like that sort of exposure, yet Kelly's work holds interest for us as well.
First, Kelly provides an interesting overview of how often things go badly wrong for an author and his works: Fires break out, wars end badly, depressions (economic and emotional) sink in, etc, etc,
all
of them likely to cause the loss of some or all of an author's work. Second, Kelly writes well and wittily, so that even when I had
never
heard of or had barely a nodding acquaintaince with an author's works before I found his stories and anecdotes captivating. This is especially useful because Kelly does not confine himself to mourning the loss of potentially
great
literary works, but also celebrates the fact that some evidently awful writings didn't survive. Thirdly, reading this
book
reminds us again of the great role chance and coincidence play in
history
and literature and allows us to muse on such fascinating questions as "What if that maid had found something else to start the fire with in Harriet Taylor's London drawing room on March 6, 1835?" or "What if Queen Victoria had let Charles Dickens tell her the ending of 'The Mystery of Edwin Drood' three months before his death?"
Any sort of book that inspires readers to ponder such questions is well worth the time and money!
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Odd, but interesting, topic
Read
ing even the first part of this
book
makes one wonder how the world's literature might have been different if the
Great
Library of Alexandria had not been burned. The loss of ancient manuscripts was incalculable, and so today we are left with a mere fraction of the writings that were preserved in that institution. This book goes much more into loss, theft, misplacement, and just sheer non-written works, from the earliest writings right until today. We read how many writings have not come down to us for one reason or another, and as avid readers, we must
all
mourn their disappearance. We, and the world, are much poorer for their loss.
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Staccato bits of Genius
When I
read
the description alone, I knew I had to read this
book
. Any bibliophile would also be entraced by this book about
books
. How pleasantly suprised I was to learn that Kelly is also a fun, breezy writer, and his style and wit, are a joy to read. However, the organization of the book, into many sm
all
sections (calling them chapters is quite generous), often turned me off. Many of these sections are just a page or two. Granted, the source material is often lacking, but I would have prefered to read more about less.
Great idea but it doesn't blossom
I say this in
all
sincerity: this is not an appealing
book
in that the author somehow forgot that people would be trying to
read
it. That's the best way I know how to summarize my thoughts on this one.
The objective here was to list
books
which have been either "
lost
" or they
never
existed to begin with. Here's an example of the latter: "The Wolf" by Frank Norris which was never written because Frank Norris died before it happened.
A "lost" book featured by Kelly is Geoffrey Chaucer's "Book of the Leoun" whereas it's stated on page 105, "...of which no copies survive". Sometimes specific reasons are offered as to why such books were lost and in some instances Kelly remains a little vague on such points.
It was clear to me that Kelly decided that a little humor, subtly conveyed, might lighten up this possibly boring subject matter. I'll confess to grinning a couple of times but I really wanted to learn about "lost books" and the witty wallpaper sort of got in the way at times -- this is primarily a reference work and I think that the author would have served his readership better if he had eliminated the humor and filled the space with more facts about lost books.
With that, I will say that I extricated some information that was useful to me but I think that Kelly has inadvertently diminished his potentially superb book with a slight mishandling of the text.
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It can get lost
I was very excited about
read
ing this
book
after seeing a review in Library Journal, however, once I did get my hands on it, I was not as thrilled. Not only is it often dry and full of uninteresting facts (that almost want
you
to think that Kelly must be a smart guy to throw
all
these in there) that don't add to the book. While it is a comprehensive piece on many notable
lost
works, Kelly doesn't even venture to imagine how some of the lost works were lost, or even bother to explain to the reader what was lost (the chapters are organized by author only). Overall it didn't hold my interest and I was expecting the book to be as intriguing as the subject matter.
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