In The Ten-Cent Plague, David Hadju reveals how comics, years before the rock and roll revolution, brought on a clash between postwar children and their prewar parents. Created by outsiders from the tenements, garish, shameless, and often shocking, comics became the targets of a raging generational culture divide. They were burned in public bonfires, outlawed in certain cities, and nearly destroyed by the televised hearings orchestrated by Congress. The Ten-Cent Plague radically revises common notions of popular culture and the divide between "high" and "low" art.
