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Killing Zoe | Eric Stoltz, Julie Delpy | A Botched Film about a Botched Bank Heist.
 
 


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 Killing Zoe  

Killing Zoe
Eric Stoltz, Julie Delpy

Lions Gate, 2001

average customer review:based on 56 reviews
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Really Great!

I like this way better than "Resevoir Dogs". Eric Stoltz is quite good as an American who travels to Paris for a Bastille Day bank heist. Jean Hughes Anglade is phenomenal as his drug-addled friend. The first half works best but still terrific as a whole. Excellent anamorphic widescreen DVD transfer.


A Botched Film about a Botched Bank Heist.

Having had Quentin Tarantino on board as Executive Producer, I and Many Others naturally expected "Killing Zoë" to have Tarantino's flare for making the Bad Guys Likeable, the Violence Hard Hitting and the Laughs Jet Black. If you Expected these things, as I did, you Expected Too Much.

The Characters are Not Very Likeable, The Violence is Appropriately Hard Hitting and the Laughs are Few and Far Between, this is not to say I didn't Enjoy it, I just Expected more. Eric Stoltz stars a Zed, a Safe Cracker who has Fallen for one of his Hostages. Julie Delpy plays Zoë, the Hostage in Question. Stoltz and Delpy are both Art house Film Favourites, and they Do get audience Sympathy on their side, but they don't really give very Memorable performances. They both lack Expression and Range in these roles, roles that they should have Perfected after playing so many Similar roles in Better Movies.

Jean-Hughes Anglade, playing the Drug-fuelled Mastermind of the robbery, gives the Best performance in the film. He plays a Classic Villain who immediately reminded me of Michael Madson's "Mr Blonde" character in the Far Superior Heist film "Reservoir Dogs".

Roger Avery's Script and Directing are Far from Great, but they are Adequate. Fans of the genre should at least find Something they like in the film, as it is Full of Ideas that are not fully Realised.

One Great Performance, some Tough Gunplay and two Attractive leads do not a Great film make, but I'll still recommend it to Genre fans.


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Don't expect 'Pulp Fiction'

I repeat, do NOT expect to hear the same dialouge as Pulp Fiction. The two movies are as different as night and day (except of course for the violence).

I honestly have mixed feelings about this movie. There are some parts of it I admired, like the cinema-photography. That and the acting is why I give the film three stars. However, there are too many things wrong with it to be a great film, mostly the weak, un-original plot.

Let me say that I don't have a problem with violence in movies, even over the top violence. However, to me the directors were shooting more for a "lets see how bloody and violent we can make this" film, rather than a "lets make a violent, bloody film with a solid unpredictable plot".

That I do have a problem with.


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THE FRENCH PULL A HEIST

WITHIN THE SENSELESS, MANIC BLOODLETTING IN THIS FILM I ALSO DETECT A PLAY ON FRENCH STEREOTYPES; NAMELY, THEY ARE NOT TOO SMART, ARROGANT, AND ABOVE ALL, INCOMPETENT. ARE WE TO BELIEVE THAT THE BANK MANAGER, WHO DOESN'T SEEM TOO BRIGHT, WOULD ALLOW AN INNOCENT EMPLOYEE TO BE MURDERED BECAUSE HE JUST CAN'T GET HIMSELF TO LET THE DRUG-SOAKED KILLERS INTO THE BANK VAULT? SURELY A DUMB KIND OF LOYALTY, OR PERHAPS HE WAS JUST AFRAID OF THE REPURCUSSIONS THAT MIGHT FOLLOW FROM HIS APPARENTLY CRUEL SUPERIORS SHOULD HE PERFORM AN ELEMENTARY ACT OF KINDNESS. IN A SENSE, HE IS RESPONSIBLE FOR ALL THAT FOLLOWS, ALTHOUGH WITHOUT HIS STUPIDITY WE WOULDN'T HAVE A MOVIE; ARE ERIC AND HIS GANG OF DIMWITS SO ARROGANT THAT THEY WOULD BOAST OF THEIR LACK OF PLANNING? IN FACT, ZED, THE AMERICAN IN PARIS, SEEMS AMAZED BY THE BLOODY AND INCOMPETENT BLUNDERING OF HIS COMPANIONS. I WAS RELIEVED TO SEE HIM FINALLY GET AWAY FROM THE BUNCH, THANKS TO THE HEART OF GOLD PROSTITUTE (ALTHOUGH WE ARE TOLD THAT SHE'S NOT REALLY ONE), AND HOPEFULLY EVENTUALLY BACK TO THE STATES AND SENSIBILITY.


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reviews: 1, 2, 3, 4, 5, 6, page 7, 8, 9, 10, 11, 12



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