Bad Day at Black Rock | Spencer Tracy, Robert Ryan | A Tight, Well-Constructed Thriller About...

Bad Day at Black Rock | Spencer Tracy, Robert Ryan | Solid "Rock"

DVDs:

Bad Day at Black Rock

	Bad Day at Black Rock Spencer Tracy, Robert Ryan Warner Home Video, 2005 average customer review:based on 57 reviews view larger image
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highly recommended

A Tight, Well-Constructed Thriller About Justice

It's very satisfying to see a relatively small movie that was made efficiently by pros become so widely liked and respected. It's got just about everything...a gripping story that carries a message, vivid characters but a small cast, a dangerous setting, the plight of a brave loner on the side of justice who beats the odds. And it doesn't have dumb things...an extraneous love story, outraged citizens who meet in a church, excessive violence, time spent on flashbacks. It was a long wait for this one to come out on DVD, but it was worth it.

Among many elements I admire are the three character actors: Russell Collins as the weak, cowardly telegraph agent, Dean Jagger as the played-out sheriff (his humiliation at the hands of Robert Ryan is unpleasant), and, most of all, Walter Brennan as the doctor who tries to push things but isn't dumb enough to push too hard. I think this was one of Brennan's last, really good roles before he turned himself into the toothless old coot or cackling grampa of his later films. In his prime, he was a fine actor. And for vicious bullies I don't think anyone has topped Lee Marvin and Ernest Bognine in their roles. I'd even eat my catsup without any chili at all to avoid a confrontation with these guys.

I have a lot of respect for Robert Ryan but find it sad that, despite a number of opportunities, he never was able to break into the top rank of stardom. Maybe he didn't really want that. Maybe he was too willing to play bad guys. Maybe he lacked some element of charisma or just ambition. He was a fine actor and, from reports, a nice guy.

The DVD transfer is excellent

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Solid "Rock"

This is a thrilling suspense film from start to finish. Though set apparently in post World War II Arizona the film has the feel of a traditional western. One could draw parallels to another classic western, "High Noon", in that the film's protagonist MacCreedy (Spencer Tracy) is confronted with sociopathic bullies and has difficulty enlisting the aid of the few people of good will in Black Rock. Whereas "High Noon" was considered a metaphor for McCarthyism, "Bad Day at Black Rock" tackles the theme of racism, in this case the prejudice that was prevalent at the time against Americans of Japanese descent. John Sturges crafts such an effective tale that you don't feel you are being preached to. Tracy is solid as the one-armed inquisitor. The supporting cast is all first-rate with Robert Ryan, Ernest Borgnine, and Lee Marvin especially good as the creepy heavies. Great Technicolor and tremendous use of widescreen on display here. Andre Previn contributes an effective score.

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Bad Day at Black Rock

One of the best suspense films ever, tension builds from very first scene. The inimitable Spence is backed by sterling support from Walter Brennan, Robert Ryan, Ernest Borgnine, Dean Jagger, and a young Lee Marvin. Don't miss that fight in the diner.

I think something kinda bad happened here

A nattily dressed one-armed man arrives in a small southwestern town and brings to light a dark, dirty secret the townspeople thought they had buried years ago.
The man is John Macreedy (Spencer Tracy), and what he's doing in Black Rock is slowly - very slowly - revealed. That presents a challenge for someone trying to write about the movie for someone who hasn't seen it. If ever a movie should be watched with an empty bucket of information it's BAD DAY AT BLACK ROCK. Suffice it to say that many of the townspeople are less than thrilled to see the man-in-black stranger, and his soon-to-be chief nemesis, Reno Smith (Robert Ryan) makes it his business to see that the town's dirty past stays buried, by whatever means possible.
There's a lot more character interaction than straight out action in BAD DAY AT BLACK ROCK. If Ryan's Reno represents an absolute evil, he's abetted by the corrupt (Ernest Borgnine and Lee Marvin, in particular), the apathetic (town doc Walter Brennan), and the used-up (town sheriff Dean Jagger.) Things change, though, and the ground upon which personal relationships are based tends to shift. Those who could abide the town's evil secret find their position less tenable the longer Macreedy sticks around, and BAD DAY takes great delight in chronicling the changes. As usual, Ryan is just right as the thoughtful bad guy. It's hard to find a movie Ryan was ever miscast in. The Macreedy role plays to Tracy's strength - in particular his ability to project moral righteousness without sermonizing.
Besides a trailer, the dvd carries a commentary track by film historian Dana Polan. I jotted down three of his comments, more or less at random: "This movie asks the question `what is the western in the modern age?'" "The movie shows that towns are tight knit communities that contain secrets," and "This movie is about fallen characters who are learning how to find redemption." Polan's approach isn't among my favorites for a commentary track. Tying themes and motifs in a particular movie to major trends in films in general is a legitimate way to go about things, but it gets a little wearying after a while. Overall, though, a strong recommendation for this one.

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