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Please Don't Eat the Daisies | Doris Day, David Niven | A great romantic comedy!
 
 


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 Please Don't Eat t...  

Please Don't Eat the Daisies
Doris Day, David Niven

Warner Home Video, 2005

average customer review:based on 34 reviews
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     highly recommended  highly recommended




Doris and David Kick Comedic butt. . . ., hard!

This is a brilliant movie. If you are having a bad day and think the world is rubbish, this is the movie that may convince you to step out of the house again.
Doris Day is married to David Niven. They have four, young boys all "characters" and all snuggly living in a New York apartment. And what a great New York it is, 1950's at its glory. We even get treated to a shopping trip with Doris at Macy's while she hunts for some fabric to recover her living room chairs. Then David gets successful, they move to the country and have a big fight over a Broadway starlet, whose play, David reviewed.
The story is great, but the era and the City is certainly one of the stars of this movie. Some of my favorite scenes include the bathroom of the Broadway starlet, all pink and red with an amazing amount of guilding and cherub-y looking accessories, the restuarant where David gets slapped, (twice!) not to mention the great party scene, where Doris become aqcuainted with two dogs, one playing the piano and the other of the poodle ilk.
It's just an enjoyable, light-hearted movie for anyone who loves New York, Doris Day, the particular goings on of a New York critic or the life of a housewife, with four boys, and a very large house to "fix-up". And lest I forget,you'll just love Doris's mother and her friend the taxi cab driver!


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A great romantic comedy!

I really liked this film, it has an intereting story and good humor. Doris Day and David Nivan are cast well together a husband and wie in this film, with children. It's colorful and really interesting.


Please Don't Eat The Daisies

This is a wonderful film.


Pure Fun All The Way

Based on the popular book by Jean Kerr, PLEASE DON'T EAT THE DAISY is probably the best of Doris Day's 1960s comedies--and it finds her surprisingly paired with David Niven. While the two may seem an unlikely couple, they have extremely good on-screen chemistry, and the film neatly balances its story between the two stars so that neither overshadows the other.

Day plays Kate MacKay, mother of four hellions and the long suffering wife of esoteric drama critic Larry MacKay (Niven.) With her husband under seige by every actor, director, and producer in town, Kate decides to move the family to a home in the country--and in the process leaves her husband open to the temptations of Broadway star Deborah Vaughn (Janis Paige.) Before too long, Larry's swelling ego threatens their happy home.

The cast is expert, with both Day and Niven extremely enjoyable and Janis Paige memorable as the Broadway siren who attempts to lead Niven astray; the supporting roles are also expertly handled by a cast that includes Spring Byington. The script is witty with a dash of sophistocated sparkle, and unlike most of Day's later comedies manages to avoid the feel of frantic farce. A truly enjoyable outing; pure fun all the way.


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Delightful Comedy Fluff

Doris Day became famous for looking glamorous in chic dresses and entertaining in light comedy fare, particularly opposite Rock Hudson at Universal. This 1960 release saw Doris looking chic and lovely opposite David Niven in an MGM film based on a book by Jean Kerr about life with her famous husband, New York Times drama critic Walter Kerr and family. The family included a large white dog named Hobo and four obstreperous sons with a propensity for making water balloons and dropping them down on people at ground level.

Niven is seen making a transition, moving from a university drama professorship to a top critic's position at a prestigious New York newspaper. He and Day decide to move to the country, buying a medieval looking large house on the Hudson River a commutable distance from the city, which introduces a large renovation phase reminiscent of Cary Grant and Myrna Loy in "Mister Blandings Builds His Dream House."

Janis Paige is excellent as a sexually aggressive stage star who initially generates publicity following a negative review in Niven's initial piece for the newspaper by slapping the critic twice at Sardi's, the second time because a cameraman did not record the earlier slap. Niven feels self-conscious because the musical was produced by Richard Haydn, his best friend, but feels compelled to criticize it nevertheless out of journalistic duty. After Niven writes a critical commentary about Paige as a means of getting even after being slapped, Haydn is able to turn what has become a feud between glamorous star and drama critic into box office dividends via controversial publicity. Paige finally apologizes, then begins pursuing Niven to the chagrin of Day, but Niven remains true to Day and the story ends happily.


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reviews: 1, 2, 3, 4, 5, page 6, 7



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