Robin Hood - Prince of Thieves | Kevin Costner, Morgan Freeman

Robin Hood - Prince of Thieves | Kevin Costner, Morgan Freeman | Great Movie

DVDs:

Robin Hood - Princ...

	Robin Hood - Prince of Thieves Kevin Costner, Morgan Freeman Warner Home Video, 1997 average customer review:based on 238 reviews view larger image
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Robin Hood Prince of thieves

Great movie, I only buy movies I know I like. Best Kevin Costner movie.

Great Movie

Love this movie!! Nice to see the extended version. So worth the waiting to buy it for this version.

Hollywood, not Sherwood

NB: Since Amazon are posting reviews for this under both the rival Costner and Patrick Bergin versions, this review is for the Costner version.

It's Hollywood, not Sherwood, with Kevin Costner fighting injustice in his quest to make England free for those who can't actually speak the language, armed only with his trusty longbow, a dubious accent ("This is English courage" gets a big laugh every time), a fluctuating waistline and an unerringly bad sense of direction. "Come, by nightfall we will dine at my father's castle," he says to his Muslim sidekick Azem (Morgan Freeman). Not when you land in Dover you won't. And Hadrian's Wall is NOT "but five miles" from Nottingham. Sorry, Kev.

You have to look a long way down the credits to find an English actor, unless you count the villains, with Alan Rickman's Sheriff so far over the top that he's back again, leaving you with the impression that Costner's controversial decision to cut many of his scenes had more to do with restraint than pique. With Christian I-Want-to-be-Jack-Nicholson-when-I-grow-up Slater in the cast, you can forgiven for fearing the film will turn into Surf Saxons Must Die, and British writers Pen Densham and John Watson do display a healthy contempt for their heritage and history. No-one actually says it, but you know they're thinking "screw history, let's blow something up," and, indeed, the script manages to pull of the twin feat of giving a logical reason for Robin having a black sidekick and getting lots of explosions into a medieval adventure, although they don't quite manage to convince you that their Robin truly is modelled after the Tim Holt character in The Magnificent Ambersons.

Neither Errol Flynn's definitive adventure nor Sean Connery and Richard Lester's brilliantly melancholy interpretation have anything to worry about, with the film falling between the two stools and offering political correctness instead of revisionism and opting for pure adventure with the trimmings of gritty historical realism brushed aside whenever it threatens to get in the way.

The biggest problem is that the scars of a messy and acrimonious production (seven credited producers, no less) are all too visible. Kevin Reynolds' direction lacks the punch of his earlier and unfairly overlooked The Beast of War or even his bonkers Rapa Nui, with some uncomfortable medium shots and the unsteadiest Steadicam work in cinema history, while subplots such as the black magic element are thrown away after the early scenes. On the plus side, Michael Kamen's score is his most enjoyable and exciting, John Bloomfield's costumes are terrific, Doug Milsome's photography almost camouflages the bad weather and some of the action scenes are well handled, although it's hard to imagine anyone here giving Basil Rathbone or even Robert Shaw too much trouble in a swordfight.

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