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The Greatest Show on Earth | Lillian Albertson, Lyle Bettger | Hollywood Met The Challenge
 
 


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 The Greatest Show ...  

The Greatest Show on Earth
Lillian Albertson, Lyle Bettger

Paramount, 1998

average customer review:based on 54 reviews
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     highly recommended  highly recommended




WHAT A SHOW.....

For a Best Picture winner, this surely won on the sheer bravado of Cecil B. DeMille. The legendary director provided the real Ringling Bros.-Barnum & Bailey circus and a bounty of stars in colorful roles for this tale of circus life and how "the show must go on" despite trauma and tragedy. Charlton Heston stars as Brad, the control-focused circus manager with an over-bubbly Betty Hutton as a trapeze star, Cornel Wilde (with a French accent) as "the Great Sebastian"-a rival trapeze star, Jimmy Stewart as "Buttons-a clown" who stays in makeup to hide from the police due to a scandal and tragedy of his own, and a gorgeous Gloria Grahame (who was hired when Lucille Ball couldn't do it) as the Elephant Girl---who will be in great danger from her sadistic partner. The Technicolor is awesome as are the gaudy costumes but it's the dialogue that's really colorful---I guess "purple prose" might describe it but even that phrase pales in comparison to what comes out of the actor's mouths. This is VERY ripe melodrama set against a wonderful (and real) circus background and you are treated to some admittedly great sights---particularly an incredible trainwreck. The actor's do their best and there are some wonderful guest stars and cameos like Dorothy Lamour as a circus entertainer, and some real surprises I can't reveal. So for pure Hollywood spectacle and some of the corniest dialogue and situations ever created see "The Greatest Show on Earth" and thank Hollywood for treats like this. And by the way, Gloria Grahame did NOT win Best Supporting Actress for this, she won the same year for "The Bad and the Beautiful".


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Hollywood Met The Challenge

The Oscar-winning 1952 movie is really entertaining on a number of fronts. It is like newer form entertainment, the movie, met the challenge of traditional entertainment--circus. Cecil B Demille took such challenge of describing the circus world and make it into entertaining film. In this film a great deal of special effects as well as lots of techinics now we take it for granted in current movies were used.

TRAPEZE STUNTS
Just watch when the acrobatic perfromer is real actor and look-like stunts. The techinique used in this film can now be the basic of stunts.

EYE MOVEMENTS OF CAMEO ACTOR/ACTRESSES
This is another challenge for Hollywood. How spectators not seeing the real act react as if they did. A number of cameo actors/actresses including child actor/actresses did the job quite well.

ANIMAL ACTOR/ACTRESSES
Well-trained Elephant played a key role in this movie. This movie might prompted using animals as movie actors in the movies afterward.

REALITY/VIRTUAL REALITY

This movie mixes the preparation and performance of real circus and use this scene quite effectively. Mixture of reality with virtual reality is what this movie shines.

SAFETY NET OR NO SAFETY NET?
This is quite a big dabate for a long time. Performers might not like safety net particularly top-artist like Sebastian.
But as a manager safety net is necessary for the lives of performers. This film described this age-long dilenma into drama quite well.

TRAIN CRASH
This is the state-of-the-art SFX techinic at this time. It was several years before THE BRIDGE OVER RIVER KWAI. Creating such scene might be the directors' challenge in 1952.

This movie lifted the art of movies into another height. Though the drama might be a bit soapy and the techinique a bit outdated. This movie still can entertain us.

Recommended for classic movie fans.


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Experience the "BIG TOP " life in TECHNICOLOR now on DVD!

For the first time on DVD Paramount Pictures brings us Cecil B. DeMille's "The Greatest Show on Earth". 1952's biggest box office hit and Oscar Winner for BEST PICTURE. This film has been digitally restored (picture & sound) and presented in beautiful TECHNICOLOR in Standard Format (before WideScreen). There are no Extra Features with this DVD. The picture alone is worth the price of addmission!!!!!!!

Why so popular picture in 1952? Director DeMille captured America's heart by a very behind the scenes, up-close life of the circus in eye popping TECHNICOLOR!!!! Every child dreamed of running away to join the circus. Families couldn't wait for their annual visit to the Big Top. The 1950's was about family, fun and entertainment.

Ringling Brothers - Barnum & Baily Circus was known as "The Greatest Show on Earth" so they joined Hollywood, DeMille and an ALL-STAR cast; Charlton Heston (first major starring role), Betty Hutton (trained for months to due many of her own aerial stunts), Jimmy Stewart (as Buttons the Clown), Cornel Wilde, Dorthy Lamour (from the Hope & Crosby Road Pictures) and Gloria Grahame to give us a taste of the circus magic. Filmed in gorgeous TECHNICOLOR this film is pure eye candy fun. Demille shows us all these colorful characters and the massive circus army that supports them. How hundreds of circus personell and their exotic animals live the circus life. Saw dust in their veins they entertain us twice a day rain or shine. This is fun stuff.

Never mind the story and the Hollywood corniness. Enjoy this brief colorful journey into the world of the canvas tent circus. A must have movie for your family DVD library. Revisit the era of the circus under the "BIG TOP". Let the kids see & experience the days gone by and relive the fun of "THE GREATEST SHOW ON EARTH". Enjoy!


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Circus at his best

Although I've seen this movie only once before (when it was out in theaters in Europe, and I was only about 9 years old), it was one of those I've been waiting for to be released since the beginning of the DVD era. And I was not disappointed in the least: great circus numbers, good performance by the whole cast, and, at the end, the best illustration that could be made of Barnum's motto "The Show must go on". What does not spoil anything, the DVD transfer is flawless; and, with the quality of these 2 and 1/2 hours of pure show at a price difficult to be beaten, there is no reason whatsoever to regret the lack of bonuses.
I've seen many comments complaining about the awarding of 'Best Picture' award (I'm not complaining at all), my only complaint is about the McCarthy insanity (I always thought that he took Hitler's anti-german activities measures as a model for his anti-american activities' crusade) which prevented 'Limelight' from being a nominee in the same year 1952. But what is unbelievable is why all the crap from TV (sorry for redundancy) is deemed more urgent to be released prior valuable movies like this one: I'm not sure that the 175 titles I'm still waiting for (and I know I'm not the only one) will be released before the DVD's 10 years anniversary (only about 30 of them seem to be in preparation at this time).


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NOT THE GREATEST BUT CERTAINLY THE MOST LAVISH!

"The Greatest Show On Earth" is Cecil B. DeMille's epic melodrama of tragedy set under the auspices of the big top. It's a mind-bogglingly overstuffed bon-bon of oddities; James Stewart masquerading as a clown who is actually a murderer; Betty Hutton lampooning a trapeze artist; Charlton Heston overacting as the macho manager, attempting to part a herd of elephants as though they were the Red Sea; beefcake, Cornel Wilde as a vane trapeze artist who becomes crippled; sultry, Dorothy LaMour as a singing gold digger and equally as sultry Gloria Grahame as the gold digger after Heston?s heart once Hutton dumps him for Wilde. True to form, DeMille?s eye is never far from the candy and on this occasion the director seems to enjoy drowning his audience in the absurdity of circus lives. Nevertheless, this is one heck of a good piece of 50s kitsch, a real barn burner that will make you want to book a seat at the nearest circus. The climactic derailment of the circus train is really outstanding.

The transfer is full frame, as it should be. Colors are rich, bright and bold. Age related artifacts crop up now and then but do not terrible distract. Shadow and contrast levels are bang on. There is a slight hint of edge enhancement and some pixelization, particularly on scenes that have been shot with rather obvious matte paintings standing in for background, but again, these do not distract. The audio is a big fat mono but nicely balanced. There are no extra features on this disc. Still, this one's a vintage necessity for your film library!


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reviews: 1, 2, 3, 4, 5, page 6, 7, 8, 9, 10, 11



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