I grew up with the now legendary Emil Gilels recording of Grieg and Andsnes' new recording is worthy of comparison in the same breath. There is little overlap between the two recordings, eight pieces, out of the twenty played by Gilels and twenty-four by Andsnes. Ironically, both recordings begin and end with the same selections but Andsnes offers some of the more lively pieces in his set.
What really makes this recording novel is the use of Grieg's own Steinway piano from the 1890's in his studio. It is a wonderful instrument with a very rich sound, well suited to these very intimiate miniatures which are a whole musical genre unto themselves. Andsnes does not have to hold back because this piano can deliver and its sonority packs a very suprising punch. There are a few of the quirks unique to older pianos, but they only add to the overall performance. Listen and learn.
Perhaps my acquaintance with Andsnes was overdue, but this is a very fine recording--faithful to the instrument and its surroundings; and like the music of Grieg, something to be cherished. If you already own the Gilels recording, this is a nice addition too, or vice versa. I plan on enjoying both for a very long time. Thank you EMI for doing something worthwhile.
Having said this, the joy of the Andsnes recording is that it is played on Grieg's piano in Grieg's own room so we capture a sound close to what Grieg originally heard. The best news is that Andsnes does play beautifully, even if I might have preferred some other tempos on occasion. By way of example, I much prefer Gilels sensitive, thoughtful and slow performance of Arietta. Still, I'm sure Grieg would say that Andsnes is closer to the way he conceived the music to be played.
If you are only to have one recording if Grieg's solo piano music (that's sad), then I don't think you'll regret purchasing the Gilels recording. If you don't drink the same wine with every meal, then consider this Andsnes recording. I think there is some delight in knowing whose piano is being played and where. I wonder what Grieg would say listening from a chair in a corner of the room?
