Solaris - Criterion Collection | Natalya Bondarchuk, Donatas Banionis | Solaris - Criterion Collection
DVDs:
Solaris - Criterio...
Solaris - Criterion Collection
Natalya Bondarchuk
,
Donatas Banionis
Criterion, 2002
average customer review:
based on 152 reviews
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highly recommended
Solaris is Visionary.
I rediscovered the genius of this cult film several nights ago on the IFC channel. Russian film director Andrei Tarkovsky is best known for
Solaris
and Stalker. Not surprisingly, Solaris (1972) is often compared to Stanley Kubrick's 2001 - A Space Odyssey. Because the two have much in common as film experiences, they share the same cult following. Both films involve a transforming encounter in space with a greater intelligence. In 2001 the journey is outward; in Solaris the journey is inward. Based on the Stanislaw Lem novel of the same name, Solaris tells the story of a space station (in orbit around a remote, planet-like object called Solaris) that has fallen into a crisis and the crew members are all hallucinating. Psychologist/ cosmonaut Kris Kelvin (Donatas Banionis) travels to the station to assess the situation, but soon begins experiencing the same hallucinations. When his late wife, Khari (18-year old Natalya Bondarchuk), unexpectedly appears on the station, Kelvin wonders if she is instead a space apparition or a memory. This is a sublime, visionary experience in film. (Skip the 2002 Soderbergh/George Clooney remake, which lacks Tarkovsky's vision, which is the real genius of Solaris.)
The two-disc
Criterion
edition includes a new digital transfer, an audio essay by Tarkovsky scholars Vida Johnson and Graham Petrie, co-authors of The Films of Andrei Tarkovsky: A Visual Fugue, new and improved English subtitle translation, nine deleted and alternate scenes, video interviews with lead actress Natalya Bondarchuk, cinematographer Vadim Yusov, art director Mikhail Romadin, and composer Eduard Artemyev, and a documentary excerpt with Solaris author Stanislaw Lem.
G. Merritt
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Solaris - Criterion Collection
Original Russian film - restored. Film is amazing! Much better than the recent remake with Clooney. Very true to the novel, engrossing and visually stimulating. The restoration is very well done and a pleasure to watch. Recommend this to serious Lem fans as well as movie buffs.
solaris
Tarkvoski!? not as good as "Mirror" (but, since it's
Criterion
, much better quality), but Tarkovski!? what else to say.
Like Stalker, a masterwork
I had seen
Solaris
in German TV in 1982 and never found it again. Then I was fascinated by it. When I had seen a few month back Solaris with George Clooney, I wondered whether I would find Tarkovskies Solaris at Amazon - and there it was and I bought it. Comparing both, I found them both good.
Tarkovski did marvelous works of which I like most Solaris and Stalker.
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Oh the Humanity...
Solaris
is quite a movie. It is a sci-fi masterpiece. Russian director Andrei Tarkovsky has created one of the best sci-fi movies ever. It probes deep into your mind and makes a home there. Some consider this the companion or "anser" to 2001 - A Space Odyssey (Two-Disc Special Edition). I can understand the connection, but I see a distinction.
Where as 2001 was about humanity on metaphorical level, Solaris is on the physical level. The characters of the two movies do not share anything in common. Each story is off to itself. But it is fun to disect and debate the common and uncommon themes of each movie.
What I'm saying is, watch this movie. It's deliberately paced, training you to watch it not as movie, but as an almost documentary. It's one of the few movies that aim isn't to entertain, that I like. It's not an entertainment piece. It was created to fill in the blanks other sci-fi and drama movies earlier tried.
I feel all movies should be aimed to entertain as well as stimulate the minds. Very few sole stimulating movies I like, but this is definitely one of them.
The DVD features a commentary by the Tarkovsky biographers, as well as deleted scenes/alternate takes, and interviews with prominent members of the film.
Must See.
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