Star Wars - Episode II, Attack of the Clones (Widescreen Edition)

Star Wars - Episode II, Attack of the Clones (Widescreen Edition) | Ewan McGregor, Natalie Portman | Star Wars II

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Star Wars - Episod...

	Star Wars - Episode II, Attack of the Clones (Widescreen Edition) Ewan McGregor, Natalie Portman 20th Century Fox, 2005 average customer review:based on 2162 reviews view larger image
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Another piece of the puzzle...

Okay, I'm tired of all these people coming on here and complaining about how they hated this movie. The people who don't like the Prequel Trilogy are really missing out on the deeper and complete meaning of the Star Wars saga. They have to remember that this trilogy is set in a different era than Episodes 4, 5, and 6. This is the era of the Republic and the Jedi Order, which aren't present in 4, 5, and 6 because they were destroyed by the rise of Palpatine's Empire at the end of Episode 3. Episode 2 is very important because here we see Anakin's character development. Crucial events occur that will lead up to him turning to the dark side. The death of Anakin's mother, his marriage to Padme, and his friendship with Obi-Wan, as well as Anakin's strained relationship with the Jedi Council are all extremely important elements in the saga. Also present is Palpatine's manipulation and deception of politics in the galaxy and the guise of his grandfatherly-like relationship with Anakin. We need to see all these things in order to understand the story better. Star Wars is the story of Anakin Skywalker told in six episodes, and each one is important, because the story would be incomplete and not make sense if one episode was missing. This is a great movie, just like the other five. Any true fan of Star Wars would know that.

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Star Wars II

This film fits in beautifully to the entire Star Wars saga. The acting is excellent -- the characters feel real as well as larger than life. As in all of the Star Wars movies, the special effects are breathtaking and fit seamlessly into the action.

"My soul is in torment."

It is rarely remembered that the original title to the original STAR WARS novel was STAR WARS: BEING THE FURTHER ADVENTURES OF LUKE SKYWALKER. Why George Lucas failed to subtitle his prequel trilogy STAR WARS: THE ADVENTURES OF ANAKIN SKYWALKER is a mystery, since that is exactly what he's given us. In point of fact, the six films together are the biography of the rise and fall and rise of Anakin Skywalker. After stretching twenty five minutes of storyline over 125 minutes of celluloid in STAR WARS EPISODE I: THE PHANTOM MENACE, in STAR WARS EPISODE II: THE ATTACK OF THE CLONES Lucas has successfully returned to his original source material, Joseph Campbell's work on myths and archetypes.

Taking place ten Earth years after THE PHANTOM MENACE, CLONES gives us the late adolescent Anakin Skywalker, now a Padawan Apprentice Jedi, and his older (but still young) mentor and teacher Obi-Wan Kenobi. Mythologically, the two are not only The Mentor and Student (Merlin and Arthur), they are also The Twin Companions (Castor and Pollux, Romulus and Remus, Damon and Pythias), as well as being The Rival Brothers (Cain and Abel, Isaac and Ishmael, Esau and Jacob). Lucas's decision to present these multiply-layered characterizations reflects the complexity of the plot in CLONES, by far the most ambitious of any STAR WARS film.

Anakin (Hayden Christiansen) is the most brilliant and talented Jedi ever, but he is immature, impatient, mercurial, and given to very typical adolescent bouts of angst and anger, all of which foreshadow his looming fate. Obi-Wan (Ewan McGregor) is fast becoming one of the most accomplished Jedi masters. He is stolid, foursquare, reasoned and ultimately unimaginative, being, in the last analysis, unable to restrain his young apprentice.

The conflict between them is reflected on a galactic level. Separatists, led by Count Dooku (Christopher Lee) are taking star systems out of the Republic by the thousand, and the Jedi are at the forefront of trying to reunite the Republic. An increasingly marginalized Senate has voted Chancellor Palpatine (Ian McDiarmid) vast emergency powers for the duration of the crisis. More Hitler-like than Lincoln-like, the ambitious Palpatine has no intention of relinquishing those powers.

The Separatists have massed a huge army of (less than impressive, silly-looking, easily-destroyed, duck-faced) battle-droids (where are the Stormtroopers in white?) and an even more tremendous army of clones. The outnumbered Republic forces are forced to adopt the Separatist strategy of using droids and clones as well, until the two sides are virtually indistinguishable. What no one but the leadership realizes is that the two sides ARE indistinguishable; in fact, there are no sides. Palpatine is secretly the Sith Lord Darth Sidious, and Count Dooku is his apprentice Sith Lord, Darth Tyranus. Together, they have machinated the entire war to overthrow the Republic and establish Sith control of the galaxy.

At the center of this maelstrom (both personal and galactic) is Padme Amidala (Natalie Portman). Her crucial Senatorial vote is courted by the power-hungry Palpatine. Her life is threatened by Count Dooku. Her heart is in the keeping of Anakin, now assigned to protect her. At first resistant to his romantic attentions, the older Padme soon succumbs to the younger Anakin's overwhelming love for her. It is a tragic, jealous love which leaves Anakin's soul in torment and his thoughts consumed with the fear of losing her.

Despite his rigorous Jedi training, Anakin continues to be emotional and impulsive. Seeing his mother, Shmi, tortured in a vision, he returns to Tatooine to rescue her. When she dies in his arms, his rage explodes, and he kills the responsible community of Tusken Raiders down to the babies, his first true step toward the Dark Side of The Force.

Portman is the jewel of the piece as she was in THE PHANTOM MENACE, but Christiansen gives us a surprisingly powerful performance as the profoundly conflicted Anakin. Even his occasional stiffness fits the late-teenage character of Anakin, who like most adolescents does not know who he is or where he is going. Overly pressured by Jedi expectations to be "the Chosen One who will restore balance to The Force," Anakin lacks the maturity and insight to cope with this role thrust upon him too soon, and uses his powers too casually, too carelessly, and even destructively. He clings to the maternal Padme obsessively, and rages that "Obi-Wan is holding me back!" out of jealousy, but left to his own devices, accomplishes little but to confuse himself more. "Young Skywalker is in terrible pain," Yoda tells Master Windu (Samuel L. Jackson) but none of these wise and reverend Jedi seem to have the skill to help him. They can barely help themselves, needing to be rescued from Count Dooku in the end by the clones. Truly, their "ability to use The Force is diminished."

This, the middle, is the best installment of the second trilogy. In terms of story and action, it is on a par with THE EMPIRE STRIKES BACK, also the middle film of the first trilogy. ATTACK OF THE CLONES is also a crucial incremental step in the PARADISE LOST-like story of Anakin, who, like Lucifer, was the brightest of the angels but doomed to fall from heaven and become Satan.

Despite the fineness of this film it was not the critical success it should have been. This reviewer felt an inexplicable, vague sense of unease while watching it. Many others have said the same thing. It was not until a fourth or fifth viewing that the reason for this uneasiness struck home. ATTACK OF THE CLONES was created almost totally with digital filmmaking techniques. Although Digital and CGI have advanced technologically far enough along to give us an appearance of reality, they cannot substitute for reality. Thus, while most of the "inorganic" items in the film have a very real look, and the planetary city of Coruscant is absolutely intriguing to view, many of the "organic" backgrounds, the alien creatures, and sometimes even the droids and the sets, have an artificial feel to them, less seen than sensed, which disturbs we human beings on some visceral level. No matter how "natural" a computer can make a desert rock formation look, a computer is still a binary code machine, and it can only provide a "non-random randomness" to the scene. The stones are just an erg-fraction too sharp-edged, the mist is just a molecule too misty, the fall of the shadows is just a bit too angular, and it all lacks the subtle aliveness of an actual location.

At the end of THE RETURN OF THE JEDI, Lucas celebrated the victory of life over technology; by relying so heavily on special effects in ATTACK OF THE CLONES he undoes that victory.

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I've seen a LOT worse

Between some of Lucas's questionable dialogue, not to mention the Geonosis C-3PO parts, and Portman's wooden performance, AOTC came way too close to being a disaster. I'm not sure what possessed George to hold back on showing Anakin as the powerful Jedi he was supposed to be but it was a bad decision. Anakin's duel with Dooku should've been better in content & directing. But again, there's few movies I'd rather watch than SW because of the good stuff.

Even though I still question the wisdom of killing off Maul in TPM, I love Dooku. He's the ultimate precise, smug second fiddle. And can you get a better henchman than Jango Fett? I loved the mystery surrounding him & Kamino as well as Geonosis. I get chills everytime I watch the first appearance of the future Stormtroopers. Anakin's first encounter with the Dark Side seemed very natural. It was nice to hear the `Imperial March' theme twice too. It was also a welcome scene to see Yoda go Jedi Master on somebody.

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