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Lone Star [Region 2] | Chris Cooper, Elizabeth Peña | This is one of those Rare Gems!
 
 


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 Lone Star [Region 2]  

Lone Star [Region 2]
Chris Cooper, Elizabeth Peña

average customer review:based on 80 reviews
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     highly recommended  highly recommended




One of the best films of the 1990s

Whatever the reasons are that John Sayles has managed to elude the attention of the mainstream entertainment media, he has had no trouble developing and mastering his craft. Lone Star is quite possibly his finest accomplishment thus far ...and is as well-executed and thought-out as any movie I have ever seen. The subtlety employed in the style and in the performances keeps the emotional maelstorm just slighly under the reins; Sayles' style is about provoking ideas in the viewer, not about spelling things out for the lowest common denominator.

This film demonstrates its superior quality in every important filmic element: acting, direction, cinematography, dialogue, and plot. The actors are honest and real, and have an excellent grasp on how to deal tastefully with mystery and taboo. The direction is smooth and seamless (check out the scene where the camera pans from the contemporary scene in a Mexican border town to a historical scene invloving Eladio Cruz on the other side of the border). The cinematography is beautiful (I always thought that it was done by Haskell Wexler - the greatest ever - but recently learned that it was Stuart Dryburgh.. Wexler has filmed other Sayles films, including Matewan and Limbo), offering a version of border-country Texas that both illustrates and conflicts with the insiduous, corrupt reality. The dialogue is simple and elusive, and tends to talk "around the point," leaving the true meaning to be dealt with by other cinematic means. The plot is complicated yet not difficult to follow, and reveals information only as it is needed, creating an aura of suspense and mystery not known in the cinematic world since Coppola of the 70's. Like the Godfather films, Lone Star is ultimately a movie about familial relationships.

As far as love stories go, the one included in this film is one of the most painful and beautiful I have ever seen.
This movie is flawless.


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This is one of those Rare Gems!

A very well done and highly under-rated mystery and drama. Kris Kristofferson plays Sheriff Buddy Deeds, ruler of a small Texas border town. A crooked, racist man, whose exploits are uncovered again and delved into some 40 years later, when his son and the current sheriff; Sam Deeds, played by Chris Cooper (of Lonesome Dove fame) comes across a badge and some bones in the desert with the help of some off-duty soldiers, out treasure hunting. Very fine acting and excellent character studies by all, including Elizabeth Pena, Matthew Mconaughey, and Frances McDormand (Fargo).


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One of the best films of the past 10 years

"Lone Star" is terrific as both a mystery and as a snapshot of small town America, Texas-Mexican border style. However, it is something else going on here. As Sam moves between the Hispanic, White, and Black communities in Rio County, we see how members of each group feel that their ethic group is different and separate from the others. However, in the end, the movie shows us how we are all pretty much the same and the degree that our lives are intertwined. (Look for a scene in an African-American bar where a record is playing on a jukebox. Later, virtually the same record, this time sung in Spanish, is played on the jukebox in a Mexican restaurant.) At the end of the film there is a final surprise that pretty much left me stunned while driving home the point of just how closely related to each other we all are.


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Lone Star Perspective

Edgar Allen Poe once said, "all that we see or seem is nothing but a dream within a dream". This principle applies to the citizens of Rio County, Texas of the movie Lone Star. Everything that the characters hold true is really just part of another truth.
Each character must face everything all that they "see or seem" when the skeleton of former county sheriff, Charley Wade, is unearthed. Present sheriff Sam Deeds sets out the mission to find out what the truth is behind a local legend. Sam's father Buddy Deeds, Rio County hero, is the main suspect. The investigation into the past affects the future of many citizen. Pilar, Sam's high school sweetheart, who wants to reconnect with Sam. Her mother Merceedes, who is prejudice against her own heritage. Otis and Mayor Hollis who would prefer to keep the legend alive, and forget the past.
The small town culture lends to the intertwining storylines. Cultural and racial divisions cause Rio County citizens to coexist with an underlying tension. Their viewpoints on what happened in the past affects their present day lives. Also, the races divide: Otis's bar is a "haven" for the African-Americans, Hispancis battle with whites over the majority rule. All groups coexist under the small town politics. This is most evident in the Marshall law of Charley Wade and Buddy Deeds favor system. In the end, what the audience, and the characters, are led to believe is true, is shown to be another, convoluted reality affecting their relationships.


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Fiction or Non-Niction? THAT is the question!

Lone Star appears on the surface to depict your typical murder mystery, but if you "dig" a little deeper, there's more to it than that. There is an underlying theme in that everyone,no matter your race, sex, or color, is all somehow related. It's all about a common ground and how "family" is not restricted to blood relatives. (Although sometimes it is, even when you least expect it.) This movie is also clever to point out that many people continue to live lives filled with lies rather than give up the comfort and security in finding out the facts. The evidence for this movie is found in reality. Pay close attention to the many symbols, from "Charlie," to "Buddy Deeds," to a flag or even a Colt 45. These symbols give meaning to give people interaction. Also, keep track of names or you will get " buried" too. And, "Remember the Alamo!"


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reviews: 1, 2, 3, 4, 5, 6, 7, 8, 9, page 10, 11, 12, 13, 14, 15, 16



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